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Evokation
  
 
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A

MAZE

IN

ZAZAZA ENTER AZAZAZ

AZAZAZAZAZAZAZZAZAZAZAZAZAZA

ZAZAZAZAZAZAZAZAZAAZAZAZAZAZAZAZAZAZ

THE

MAGICALALPHABET

ABCDEFGHIJKLMNOPQRSTUVWXYZZYXWVUTSRQPONMLKJIHGFEDCBA

 12345678910111213141516171819202122232425262625242322212019181716151413121110987654321

 

 

WORK DAYS OF GOD

Herbert W Morris D.D.circa 1883

Page 22

"As all the words in the English language are composed out of the twenty-six letters of the alphabet,.."

 

 

LIGHT AND LIFE

Lars Olof Bjorn 1976

Page 197

"By writing the 26 letters of the alphabet in a certain order one may put down almost any message (this book 'is written with the same letters' as the Encyclopaedia Britannica and Winnie the Pooh, only the order of the letters differs). In the same way Nature is able to convey with her language how a cell and a whole organism is to be constructed and how it is to function. Nature has succeeded better than we humans; for the genetic code there is only one universal language which is the same in a man, a bean plant and a bacterium."

"BY WRITING THE 26 LETTERS OF THE ALPHABET IN A CERTAIN ORDER

ONE MAY PUT DOWN ALMOST ANY MESSAGE"

 

 

A
B
C
D
E
F
G
H
I
1
2
3
4
5
6
7
8
9
 =
 =
 =
 =
 =
 =
 =
 =
=
 =
 =
 =
 =
 =
 =
 =
 =
=
J
K
L
M
N
O
P
Q
R
10
11
12
13
14
15
16
17
18
1+0
1+1
1+2
1+3
1+4
1+5
1+6
1+7
1+8
1
2
3
4
5
6
7
8
9
 =
 =
 =
 =
 =
 =
 =
 =
=
 =
 =
 =
 =
 =
 =
 =
 =
=
S
T
U
V
W
X
Y
Z
I
19
20
21
22
23
24
25
26
9
1+9
2+0
2+1
2+2
2+3
2+4
2+5
2+6
ME
1
2
3
4
5
6
7
8
9
 =
 =
 =
 =
 =
 =
 =
 =
=
 =
 =
 =
 =
 =
 =
 =
 =
=
I
ME
I
ME
I
ME
I
ME
I
9
18
9
18
9
18
9
18
9
=
1+8
=
1+8
=
1+8
=
1+8
=
=
9
=
9
=
9
=
9
=
I
ME
I
ME
I
ME
I
ME
1
9
9
9
9
9
9
9
9
9
I
ME
I
ME
I
ME
I
ME
1

 

 

"BY WRITING THE 26 LETTERS OF THE ALPHABET IN A CERTAIN ORDER

ONE MAY PUT DOWN ALMOST ANY MESSAGE"

 

 

A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
-
-
-
-
-
-
-
-
-
1+0
1+1
1+2
1+3
1+4
1+5
1+6
1+7
1+8
1+9
2+0
2+1
2+2
2+3
2+4
2+5
2+6
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
 -
-
-
-
-
-
-
-
-
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z

 

 

A

HISTORY OF GOD

Karen Armstrong 1993

The God of the Mystics

Page 250

"Perhaps the most famous of the early Jewish mystical texts is the fifth century Sefer Yezirah (The Book of Creation). There is no attempt to describe the creative process realistically; the account is unashamedly symbolic and shows God creating the world by means of language as though he were writing a book. But language has been entirely transformed and the message of creation is no longer clear. Each letter of the Hebrew alphabet is given a numerical value; by combining the letters with the sacred numbers, rearranging them in endless configurations, the mystic weaned his mind away from the normal connotations of words."

 

THIS IS THE SCENE OF THE SCENE UNSEEN

THE UNSEEN SEEN OF THE SCENE UNSEEN THIS IS THE SCENE

 

 

3
THE
33
15
6
4
MIND
40
22
4
2
OF
21
12
3
9
HUMANKIND
95
41
5
18
First Total
189
90
18
1+8
Add to Reduce
1+8+9
9+0
1+8
9
Second Total
18
9
9
-
Reduce to Deduce
1+8
-
-
9
Essence of Number
9
9
9

 

 

THE

FAR YONDER SCRIBE

AND OFT TIMES SHADOWED SUBSTANCES WATCHED IN FINE AMAZE

THE

ZED ALIZ ZED

IN SWIFT REPEAT SCATTER STAR DUST AMONGST THE LETTERS OF THEIR PROGRESS

AT THE THROW OF THE NINTH RAM WHEN IN CONJUNCTION SET

THE

FAR YONDER SCRIBE

MADE RECORD OF THEIR FALL

 

 

NUMBER

9

THE SEARCH FOR THE SIGMA CODE

Cecil Balmond 1998

Cycles and Patterns

Page 165

Patterns

"The essence of mathematics is to look for patterns.

Our minds seem to be organised to search for relationships and sequences. We look for hidden orders.

These intuitions seem to be more important than the facts themselves, for there is always the thrill at finding something, a pattern, it is a discovery - what was unknown is now revealed. Imagine looking up at the stars and finding the zodiac!

Searching out patterns is a pure delight.

Suddenly the counters fall into place and a connection is found, not necessarily a geometric one, but a relationship between numbers, pictures of the mind, that were not obvious before. There is that excitement of finding order in something that was otherwise hidden.

And there is the knowledge that a huge unseen world lurks behind the facades we see of the numbers themselves."

 

 

FINGERPRINTS OF THE GODS

A QUEST FOR THE BEGINNING AND THE END

Graham Hancock 1995

Chapter 32

Speaking to the Unborn

Page 285

"It is understandable that a huge range of myths from all over the ancient world should describe geological catastrophes in graphic detail. Mankind survived the horror of the last Ice Age, and the most plausible source for our enduring traditions of flooding and freezing, massive volcanism and devastating earthquakes is in the tumultuous upheavals unleashed during the great meltdown of 15,000 to 8000 BC. The final retreat of the ice sheets, and the consequent 300-400 foot rise in global sea levels, took place only a few thousand years before the beginning of the historical period. It is therefore not surprising that all our early civilizations should have retained vivid memories of the vast cataclysms that had terrified their forefathers.
Much harder to explain is the peculiar but distinctive way the myths of cataclysm seem to bear the intelligent imprint of a guiding hand.l Indeed the degree of convergence between such ancient stories is frequently remarkable enough to raise the suspicion that they must all have been 'written' by the same 'author'.
Could that author have had anything to do with the wondrous deity, or superhuman, spoken of in so many of the myths we have reviewed, who appears immediately after the world has been shattered by a horrifying geological catastrophe and brings comfort and the gifts of civilization to the shocked and demoralized survivors?
White and bearded, Osiris is the Egyptian manifestation of this / Page 286 / universal figure, and it may not be an accident that one of the first acts he is remembered for in myth is the abolition of cannibalism among the primitive inhabitants of the Nile Valley.2 Viracocha, in South America, was said to have begun his civilizing mission immediately after a great flood; Quetzalcoatl, the discoverer of maize, brought the benefits of crops, mathematics, astronomy and a refined culture to Mexico after the Fourth Sun had been overwhelmed by a destroying deluge.
Could these strange myths contain a record of encounters between scattered palaeolithic tribes which survived the last Ice Age and an as yet unidentified high civilization which passed through the same epoch?
And could the myths be attempts to communicate?

A message in the bottle of time"

'Of all the other stupendous inventions,' Galileo once remarked,

what sublimity of mind must have been his who conceived how to communicate his most secret thoughts to any other person, though very distant either in time or place, speaking with those who are in the Indies, speaking to those who are not yet born, nor shall be this thousand or ten thousand years? And with no greater difficulty than the various arrangements of two dozen little signs on paper? Let this be the seal of all the admirable inventions of men.3

If the 'precessional message' identified by scholars like Santillana, von Dechend and Jane Sellers is indeed a deliberate attempt at communication by some lost civilization of antiquity, how come it wasn't just written down and left for us to find? Wouldn't that have been easier than encoding it in myths? Perhaps.
Nevertheless, suppose that whatever the message was written on got destroyed or worn away after many thousands of years? Or suppose that the language in which it was inscribed was later forgotten utterly (like the enigmatic Indus Valley script, which has been studied closely for more than half a century but has so far resisted all attempts at decoding)? It must be obvious that in such circumstances a written / Page 287 / legacy to the future would be of no value at all, because nobody would be able to make sense of it.
What one would look for, therefore, would be a universal language, the kind of language that would be comprehensible to any technologically advanced society in any epoch, even a thousand or ten thousand years into the future. Such languages are few and far between, but mathematics is one of them - and the city of Teotihuacan may be the calling-card of a lost civilization written in the eternal language of mathematics.
Geodetic data, related to the exact positioning of fixed geographical points and to the shape and size of the earth, would also remain valid and recognizable for tens of thousands of years, and might be most conveniently expressed by means of cartography (or in the construction of giant geodetic monuments like the Great Pyramid of Egypt, as we shall see).
Another 'constant' in our solar system is the language of time: the great but regular intervals of time calibrated by the inch-worm creep of precessional motion. Now, or ten thousand years in the future, a message that prints out numbers like 72 or 2160 or 4320 or 25,920 should be instantly intelligible to any civilization that has evolved a modest talent for mathematics and the ability to detect and measure the almost imperceptible reverse wobble that the sun appears to make along the ecliptic against the background of the fixed stars..."

"What one would look for, therefore, would be a universal language, the kind of language that would be comprehensible to any technologically advanced society in any epoch, even a thousand or ten thousand years into the future. Such languages are few and far between, but mathematics is one of them"

"WRITTEN IN THE ETERNAL LANGUAGE OF MATHEMATICS"

 

 

THERE IS NO ATTEMPT MADE TO DESCRIBE THE CREATIVE PROCESS REALISTICALLY

THE ACCOUNT IS SYMBOLIC AND SHOWS GOD CREATING THE WORLD BY MEANS OF LANGUAGE

AS THOUGH WRITING A BOOK BUT LANGUAGE ENTIRELY TRANSFORMED

THE MESSAGE OF CREATION IS CLEAR EACH LETTER OF

THE

ALPHABET

IS

GIVEN

A

NUMERICAL

VALUE BY COMBINING THE LETTERS WITH THE SACRED NUMBERS

REARRANGING THEM IN ENDLESS CONFIGURATIONS

THE MYSTIC WEANED THE MIND AWAY FROM THE NORMAL CONNOTATIONS OF WORDS

 

 

-
THE RAINBOW LIGHT
-
-
-
3
THE
33
15
6
7
RAINBOW
82
37
1
5
LIGHT
56
29
2
15
THE RAINBOW LIGHT
171
81
9
1+5
-
1+7+1
8+1
-
6
THE RAINBOW LIGHT
9
9
9

 

 

15
THE RAINBOW LIGHT
-
-
-
-
THE
33
15
6
-
R
18
9
9
-
A
1
1
1
-
I
9
9
9
-
N+B+O+W
54
18
9
-
L
12
3
3
-
I
9
9
9
-
G+H+T
35
17
8
15
THE RAINBOW LIGHT
171
81
54
1+5
-
1+7+1
8+1
5+4
6
THE RAINBOW LIGHT
9
9
9

 

 

THE LIGHT IS RISING RISING IS THE LIGHT

 

 

26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
+
=
351
3+5+1
=
9
-
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
+
=
126
1+2+6
=
9
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-

 

 

9
A
B
C
D
E
F
G
H
I
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
9
+
=
17
1+7
=
8
=
8
-
-
-
-
-
-
-
-
8
9
+
=
17
1+7
=
8
=
8
9
A
B
C
D
E
F
G
H
I
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
-
-
+
=
28
2+8
=
10
1+0
1
-
1
2
3
4
5
6
7
-
-
+
=
28
2+8
=
10
1+0
1
9
A
B
C
D
E
F
G
H
I
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
+
=
45
4+5
=
9
=
9
-
1
2
3
4
5
6
7
8
9
+
=
45
4+5
=
9
=
9
9
A
B
C
D
E
F
G
H
I
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
+
=
1
occurs
x
1
=
1
-
-
2
-
-
-
-
-
-
-
+
=
2
occurs
x
1
=
2
-
-
-
3
-
-
-
-
-
-
+
=
3
occurs
x
1
=
3
-
-
-
-
4
-
-
-
-
-
+
=
4
occurs
x
1
=
4
-
-
-
-
-
5
-
-
-
-
+
=
5
occurs
x
1
=
5
-
-
-
-
-
-
6
-
-
-
+
=
6
occurs
x
1
=
6
-
-
-
-
-
-
-
7
-
-
+
=
7
occurs
x
1
=
7
-
-
-
-
-
-
-
-
8
-
+
=
8
occurs
x
1
=
8
-
-
-
-
-
-
-
-
-
9
+
=
9
occurs
x
1
=
9
9
A
B
C
D
E
F
G
H
I
-
-
45
-
-
9
-
45
-
1
2
3
4
5
6
7
8
9
-
-
4+5
-
-
-
-
4+5
9
A
B
C
D
E
F
G
H
I
-
-
9
-
-
9
-
9
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
9
A
B
C
D
E
F
G
H
I
-
-
9
-
-
9
-
9

 

 

9
J
K
L
M
N
O
P
Q
R
-
-
-
-
-
-
-
-
-
-
-
-
-
5
6
-
-
-
+
=
11
1+1
=
2
=
2
-
-
-
-
-
14
15
-
-
-
+
=
29
2+9
=
11
1+1
2
9
J
K
L
M
N
O
P
Q
R
-
-
-
-
-
-
-
-
-
1
2
3
4
-
-
7
8
9
+
=
34
3+4
=
7
=
7
-
10
11
12
13
-
-
16
17
18
+
=
97
9+7
=
16
1+6
7
9
J
K
L
M
N
O
P
Q
R
-
-
-
-
-
-
-
-
-
10
11
12
13
14
15
16
17
18
+
=
126
1+2+6
=
9
=
9
-
1
2
3
4
5
6
7
8
9
+
=
45
4+5
=
9
=
9
9
J
K
L
M
N
O
P
Q
R
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
+
=
1
occurs
x
1
=
1
-
-
2
-
-
-
-
-
-
-
+
=
2
occurs
x
1
=
2
-
-
-
3
-
-
-
-
-
-
+
=
3
occurs
x
1
=
3
-
-
-
-
4
-
-
-
-
-
+
=
4
occurs
x
1
=
4
-
-
-
-
-
5
-
-
-
-
+
=
5
occurs
x
1
=
5
-
-
-
-
-
-
6
-
-
-
+
=
6
occurs
x
1
=
6
-
-
-
-
-
-
-
7
-
-
+
=
7
occurs
x
1
=
7
-
-
-
-
-
-
-
-
8
-
+
=
8
occurs
x
1
=
8
-
-
-
-
-
-
-
-
-
9
+
=
9
occurs
x
1
=
9
9
J
K
L
M
N
O
P
Q
R
-
-
45
-
-
9
-
45
-
10
11
12
13
14
15
16
17
18
-
-
4+5
-
-
-
-
4+5
9
J
K
L
M
N
O
P
Q
R
-
-
9
-
-
9
-
9
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
9
J
K
L
M
N
O
P
Q
R
-
-
9
-
-
9
-
9

 

 

8
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
1
-
-
-
-
6
-
8
+
=
15
1+5
=
6
=
6
-
19
-
-
-
-
24
-
26
+
=
69
6+9
=
15
1+5
6
8
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
2
3
4
5
-
7
-
+
=
21
2+1
=
3
=
3
-
-
20
21
22
23
-
25
-
+
=
111
1+1+1
=
3
=
3
8
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
19
20
21
22
23
24
25
26
+
=
 180
1+8+0
=
9
=
9
-
1
2
3
4
5
6
7
8
+
=
36
3+6
=
9
=
9
8
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
+
=
1
occurs
x
1
=
1
-
-
2
-
-
-
-
-
-
+
=
2
occurs
x
1
=
2
-
-
-
3
-
-
-
-
-
+
=
3
occurs
x
1
=
3
-
-
-
-
4
-
-
-
-
+
=
4
occurs
x
1
=
4
-
-
-
-
-
5
-
-
-
+
=
5
occurs
x
1
=
5
-
-
-
-
-
-
6
-
-
+
=
6
occurs
x
1
=
6
-
-
-
-
-
-
-
7
-
+
=
7
occurs
x
1
=
7
-
-
-
-
-
-
-
-
8
+
=
8
occurs
x
1
=
8
8
S
T
U
V
W
X
Y
Z
-
-
36
-
-
8
-
36
-
1
2
3
4
5
6
7
8
-
-
3+6
-
-
-
-
3+6
8
S
T
U
V
W
X
Y
Z
-
-
9
-
-
8
-
9
-
19
20
21
22
23
24
25
26
-
-
-
-
-
-
-
-
8
S
T
U
V
W
X
Y
Z
-
-
9
-
-
8
-
9

 

 

26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
9
-
-
-
-
5
6
-
-
-
1
-
-
-
-
6
-
8
+
=
43
4+3
=
7
=
7
=
7
-
-
-
-
-
-
-
-
8
9
-
-
-
-
14
15
-
-
-
19
-
-
-
-
24
-
26
+
=
115
1+1+5
=
7
=
7
=
7
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
-
-
1
2
3
4
-
-
7
8
9
-
2
3
4
5
-
7
-
+
=
83
8+3
=
11
1+1
2
=
2
-
1
2
3
4
5
6
7
-
-
10
11
12
13
-
-
16
17
18
-
20
21
22
23
-
25
-
+
=
236
2+3+6
=
11
1+1
2
=
2
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
+
=
351
3+5+1
=
9
=
9
=
9
-
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
+
=
126
1+2+6
=
9
=
9
=
9
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
+
=
1
occurs
x
3
=
3
=
3
-
-
2
-
-
-
-
-
-
-
-
2
-
-
-
-
-
-
-
-
2
-
-
-
-
-
-
+
=
2
occurs
x
3
=
6
=
6
-
-
-
3
-
-
-
-
-
-
-
-
3
-
-
-
-
-
-
-
-
3
-
-
-
-
-
+
=
3
occurs
x
3
=
9
=
9
-
-
-
-
4
-
-
-
-
-
-
-
-
4
-
-
-
-
-
-
-
-
4
-
-
-
-
+
=
4
occurs
x
3
=
12
1+2
3
-
-
-
-
-
5
-
-
-
-
-
-
-
-
5
-
-
-
-
-
-
-
-
5
-
-
-
+
=
5
occurs
x
3
=
15
1+5
6
-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
6
-
-
+
=
6
occurs
x
3
=
18
1+8
9
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
7
-
+
=
7
occurs
x
3
=
21
2+1
3
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
8
+
=
8
occurs
x
3
=
24
2+4
6
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
+
=
9
occurs
x
2
=
18
1+8
9
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
45
-
-
26
-
126
-
54
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
-
-
4+5
-
-
2+6
-
1+2+6
-
5+4
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
9
-
-
8
-
9
-
9
-
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
-
-
-
-
-
-
-
-
-
-
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
9
-
-
8
-
9
-
9

 

 

 

 

 

 

THE DEATH OF GODS IN ANCIENT EGYPT

Jane B. Sellars 1992

Page 204

"The overwhelming awe that accompanies the realization, of the measurable orderliness of the universe strikes modern man as well. Admiral Weiland E. Byrd, alone In the Antarctic for five months of polar darkness, wrote these phrases of intense feeling:

Here were the imponderable processes and forces of the cosmos, harmonious and soundless. Harmony, that was it! I could feel no doubt of oneness with the universe. The conviction came that the rhythm was too orderly. too harmonious, too perfect to be a product of blind chance - that, therefore there must be purpose in the whole and that man was part of that whole and not an accidental offshoot. It was a feeling that transcended reason; that went to the heart of man's despair and found it groundless. The universe was a cosmos, not a chaos; man was as rightfully a part of that cosmos as were the day and night.10

Returning to the account of the story of Osiris, son of Cronos god of' Measurable Time, Plutarch takes, pains to remind the reader of the original Egyptian year consisting of 360 days.

Phrases are used that prompt simple mental. calculations and an attention to numbers, for example, the 360-day year is described as being '12 months of 30 days each'. Then we are told that, Osiris leaves on a long journey, during which Seth, his evil brother, plots with 72 companions to slay Osiris: He also secretly obtained the measure of Osiris and made ready a chest in which to entrap him.

The, interesting thing about this part of the-account is that nowhere in the original texts of the Egyptians are we told that Seth, has 72 companions. We have already been encouraged to equate Osiris with the concept of measured time; his father being Cronos. It is also an observable fact that Cronos-Saturn has the longest sidereal period of the known planets at that time, an orbit. of 30 years. Saturn is absent from a specific constellation for that length of time.

A simple mathematical fact has been revealed to any that are even remotely sensitive to numbers: if you multiply 72 by 30, the years of Saturn's absence (and the mention of Osiris's absence prompts one to recall this other), the resulting product is 2,160: the number of years required, for one 30° shift, or a shift: through one complete sign of the zodiac. This number multplied by the /Page205 / 12 signs also gives 25,920. (And Plutarch has reminded us of 12)

If you multiply the unusual number 72 by 360, a number that Plutarch mentions several times, the product will be 25,920, again the number of years symbolizing the ultimate rebirth.

This 'Eternal Return' is the return of, say, Taurus to the position of marking the vernal equinox by 'riding in the solar bark with. Re' after having relinquished this honoured position to Aries, and subsequently to the to other zodiacal constellations.

Such a return after 25,920 years is indeed a revisit to a Golden Age, golden not only because of a remarkable symmetry In the heavens, but golden because it existed before the Egyptians experienced heaven's changeability.

But now to inform the reader of a fact he or she may already know. Hipparaus did: not really have the exact figures: he was a trifle off in his observations and calculations. In his published work, On the Displacement of the Solstitial and Equinoctial Signs, he gave figures of 45" to 46" a year, while the truer precessional lag along the ecliptic is about 50 seconds. The exact measurement for the lag, based on the correct annual lag of 50'274" is 1° in 71.6 years, or 360° in 25,776 years, only 144 years less than the figure of 25,920.

With Hipparchus's incorrect figures a 'Great Year' takes from 28,173.9 to 28,800 years, Incorrect by a difference of from 2,397.9 years to 3,024.

Since Nicholas Copernicus (AD 1473-1543) has always been credited with giving the correct numbers (although Arabic astronomer Nasir al-Din Tusi,11 born AD 1201, is known to have fixed the Precession at 50°), we may correctly ask, and with justifiable astonishment 'Just whose information was Plutarch transmitting'

AN IMPORTANT POSTSCRIPT

Of course, using our own notational system, all the important numbers have digits that reduce to that amazing number 9 a number that has always delighted budding mathematician.

Page 206

Somewhere along the way, according to Robert Graves, 9 became the number of lunar wisdom.12

This number is found often in the mythologies of the world. the Viking god Odin hung for nine days and nights on the World Tree in order to acquire the secret of the runes, those magic symbols out of which writing and numbers grew. Only a terrible sacrifice would give away this secret, which conveyed upon its owner power and dominion over all, so Odin hung from his neck those long 9 days and nights over the 'bottomless abyss'. In the tree were 9 worlds, and another god was said to have been born of 9 mothers.

Robert Graves, in his White Goddess, Is intrigued by the seemingly recurring quality of the number 72 in early myth and ritual. Graves tells his reader that 72 is always connected with the number 5, which reflects, among other things, the five Celtic dialects that he was investigating. Of course, 5 x 72= 360, 360 x 72= 25,920. Five is also the number of the planets known to the ancient world, that is, Saturn, Jupiter, Mars, Venus Mercury.

Graves suggests a religious mystery bound up with two ancient Celtic 'Tree Alphabets' or cipher alphabets, which as genuine articles of Druidism were orally preserved and transmitted for centuries. He argues convincingly that the ancient poetry of Europe was ultimately based on what its composers believed to be magical principles, the rudiments of which formed a close religious secret for centuries. In time these were-garbled, discredited and forgotten.

Among the many signs of the transmission of special numbers he points out that the aggregate number of letter strokes for the complete 22-letter Ogham alphabet that he is studying is 72 and that this number is the multiple of 9, 'the number of lunar wisdom'. . . . he then mentions something about 'the seventy day season during which Venus moves successively from. maximum eastern elongation 'to inferior conjunction and maximum western elongation'.13

Page 207

"...Feniusa Farsa, Graves equates this hero with Dionysus Farsa has 72 assistants who helped him master the 72 languages created at the confusion of Babel, the tower of which is said to be built of 9 different materials

We are also reminded of the miraculous translation into Greek of the Five Books of Moses that was done by 72 scholars working for 72 days, Although the symbol for the Septuagint is LXX, legend, according to the fictional letter of Aristeas, records 72. The translation was done for Ptolemy Philadelphus (c.250 BC), by Hellenistic Jews, possibly from Alexandra.14

Graves did not know why this number was necessary, but he points out that he understands Frazer's Golden Bough to be a a book hinting that 'the secret involves the truth that the Christian dogma, and rituals, are the refinement of a great body of primitive beliefs, and that the only original element in Christianity- is the personality of Christ.15

Frances A. Yates, historian of Renaissance hermetisma tells, us the cabala had 72 angels through which the sephiroth (the powers of God) are believed to be approached, and further, she supplies the information that although the Cabala supplied a set of 48 conclusions purporting to confirm the Christian religion from the foundation of ancient wisdom, Pico Della Mirandola, a Renaissance magus, introduced instead 72, which were his 'own opinion' of the correct number. Yates writes, 'It is no accident there are seventy-two of Pico's Cabalist conclusions, for the conclusion shows that he knew something of the mystery of the Name of God with seventy-two letters.'16

In Hamlet's Mill de Santillarta adds the facts that 432,000 is the number of syllables in the Rig-Veda, which when multiplied by the soss (60) gives 25,920" (The reader is forgiven for a bit of laughter at this point)

Thee Bible has not escaped his pursuit. A prominent Assyriologist of the last century insisted that the total of the years recounted
mounted in Genesis for the lifetimes of patriarchs from the Flood also contained the needed secret numbers. (He showed that in the 1,656.years recounted in the Bible there are 86,400 7 day weeks, and dividing this number yields / Page 208 / 43,200.) In Indian yogic schools it is held that all living beings exhale and inhale 21,600 times a day, .multiply this by 2 and again we have.the necessary 432 digits.

Joseph Campbell discerns the secret in the date set for the coming of Patrick to Ireland. Myth-gives this date-as.- the interest-
ing number of AD.432.18

Whatever one may think-of some of these number coincidences, it becomes. difficult to escape the suspicion that many signs (number and otherwise) -indicate that early man observed the results.. of the movement of Precession . and that the-.transmission of this information was .considered of prime importance.

'With the awareness of the phenomenon, observers would certainly have tried for its measure, and such an endeavour would
have constituted the construction-of a 'Unified Field Theory' for nothing .less than Creation itself. Once determined, it would have been information worthy of secrecy and worthy of the passing on to future adepts.

But one last word about mankind's romance with number coincidences.The antagonist in John Updike's novel, Roger's Version, is a computer hacker, who, convinced.,that scientific evidence of God's existence is accumulating, endeavours to prove it by feeding -all the available scientific information. into a comuter. In his search for God 'breaking, through', he has become fascinated by certain numbers that have continually been cropping up. He explains them excitedly as 'the terms of Creation':

"...after a while I noticed that all over the sheet there seemed to hit these twenty-fours Jumping out at me. Two four; two,four.Planck time, for instance, divided by the radiation constant yields a figure near eight times ten again to the negative twenty-fourth, and the permittivity of free space, or electric constant, into the Bohr radiusekla almost exactly six times ten to the negative twenty-fourth. On positive side, the electromagnetic line-structure constant times Hubble radius - that is, the size of the universe as we now perceive it gives us something quite close to ten to the twenty-fourth, and the strong-force constant times the charge on the proton produces two point four times ten to the negative eighteenth, for another I began to circle twenty-four wherever it appeared on the Printout here' - he held it up. his piece of striped and striped wallpaper, decorated / Page 209 / with a number of scarlet circles - 'you can see it's more than random.'19
This inhabitant of the twentieth century is convinced that the striking occurrences of 2 and 4 reveal the sacred numbers by which God is speaking to us.

So much for any scorn directed to ancient man's fascination with number coincidences. That fascination is alive and well, Just a bit more incomprehensible"

 

WE ARE THE DEAD SHORT TIME AGO WE LIVED FELT DAWN SAW SUNSET GLOW AND NOW

?

 

 

-
6
A
T
U
M
-
R
A
-
-
-
-
-
--
-
-
-
`-
1
20
21
13
-
18
1
+
=
74
7+4
=
11
1+1
2
-
-
1
2
3
4
-
9
1
+
=
20
2+0
=
2
-
2
-
6
A
T
U
M
-
R
A
-T
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
1
-
-
1
occurs
x
2
=
2
-
-
-
2
-
-
-
-
-
-
-
2
occurs
x
1
=
2
-
-
-
-
3
-
-
-
-
-
-
3
occurs
x
1
=
3
-
-
-
-
-
4
-
-
-
-
-
4
occurs
x
1
=
4
5
-
-
-
-
-
-
-
-
-
-
5
-
-
-
-
-
6
-
-
-
-
-
-
-
-
-
-
6
-
-
-
-
-
7
-
-
-
-
-
-
-
-
-
-
7
-
-
-
-
-
8
-
-
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
-
-
-
-
9
-
-
-
9
occurs
x
1
=
9
26
6
A
T
U
M
-
R
A
-
-
19
-
-
6
-
20
2+6
-
-
-
-
-
-
9
-
-
-
1+9
-
-
-
-
2+0
8
6
A
T
U
M
-
R
A
-
-
10
-
-
6
-
2
-
-
-
-
-
-
-
-
-
-
-
1+0
-
-
-
-
-
8
6
A
T
U
M
-
R
A
-
-
1
-
-
6
-
2

 

 

6
A
T
U
M
-
R
A
-
-
-
-
-
--
-
-
`-
1
20
21
13
-
18
1
+
=
74
7+4
=
11
1+1
2
-
1
2
3
4
-
9
1
+
=
20
2+0
=
2
-
2
6
A
T
U
M
-
R
A
-T
-
-
-
-
-
-
-
-
1
-
-
-
-
-
1
-
-
1
occurs
x
2
=
2
-
-
2
-
-
-
-
-
-
-
2
occurs
x
1
=
2
-
-
-
3
-
-
-
-
-
-
3
occurs
x
1
=
3
-
-
-
-
4
-
-
-
-
-
4
occurs
x
1
=
4
-
-
-
-
-
-
9
-
-
-
9
occurs
x
1
=
9
6
A
T
U
M
-
R
A
-
-
19
-
-
6
-
20
-
-
-
-
-
-
9
-
-
-
1+9
-
-
-
-
2+0
6
A
T
U
M
-
R
A
-
-
10
-
-
6
-
2
-
1
2
3
4
-
9
1
-
-
1+0
-
-
-
-
-
6
A
T
U
M
-
R
A
-
-
1
-
-
6
-
2

 

 

6
A
T
U
M
R
A
-
-
-
-
-
--
-
-
`-
1
20
21
13
18
1
+
=
74
7+4
=
11
1+1
2
-
1
2
3
4
9
1
+
=
20
2+0
=
2
-
2
6
A
T
U
M
R
A
-T
-
-
-
-
-
-
-
-
1
-
-
-
-
1
-
-
1
occurs
x
2
=
2
-
-
2
-
-
-
-
-
-
2
occurs
x
1
=
2
-
-
-
3
-
-
-
-
-
3
occurs
x
1
=
3
-
-
-
-
4
-
-
-
-
4
occurs
x
1
=
4
-
-
-
-
-
9
-
-
-
9
occurs
x
1
=
9
6
A
T
U
M
R
A
-
-
19
-
-
6
-
20
-
-
-
-
-
9
-
-
-
1+9
-
-
-
Q
2+0
6
A
T
U
M
R
A
-
-
10
-
-
6
-
2
-
1
2
3
4
9
1
-T
-
1+0
-
-
-
-
-
6
A
T
U
M
R
A
-
-
1
-
-
6
-
2

 

 

-
4
A
T
U
M
-
-
-
-
-
--
-
-
-
`-
1
20
21
13
+
=
55
5+5
=
10
1+0
1
-
-
1
2
3
4
+
=
10
1+0
=
1
-
1
-
4
A
T
U
M
-T
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
1
occurs
x
1
=
1
-
-
-
2
-
-
-
-
2
occurs
x
1
=
2
-
-
-
-
3
-
-
-
3
occurs
x
1
=
3
-
-
-
-
-
4
-
-
4
occurs
x
1
=
4
5
-
-
-
-
-
-
-
5
-
-
-
-
-
6
-
-
-
-
-
-
-
6
-
-
-
-
-
7
-
-
-
-
-
-
-
7
-
-
-
-
-
8
-
-
-
-
-
-
-
8
-
-
-
-
-
9
-
-
-
-
-
-
-
9
-
-
-
-
-
35
4
A
T
U
M
-
-
10
-
-
4
-
10
3+5
-
-
-
-
-
-
-
1+0
-
-
-
Q
1+0
8
4
A
T
U
M
-
-
1
-
-
4
-
2

 

 

4
A
T
U
M
-
-
-
-
-
--
-
-
`-
1
20
21
13
+
=
55
5+5
=
10
1+0
1
-
1
2
3
4
+
=
10
1+0
=
1
-
1
4
A
T
U
M
-T
-
-
-
-
-
-
-
-
1
-
-
-
-
-
1
occurs
x
1
=
1
-
-
2
-
-
-
-
2
occurs
x
1
=
2
-
-
-
3
-
-
-
3
occurs
x
1
=
3
-
-
-
-
4
-
-
4
occurs
x
1
=
4
4
A
T
U
M
-
-
10
-
-
4
-
10
-
-
-
-
-
-
-
1+0
-
-
-
Q
1+0
4
A
T
U
M
-
-
1
-
-
4
-
2

 

 

OF TIME AND STARS

Arthur C. Clarke 1972

FOREWORD

"'Into the Comet' and 'The Nine Billion Names of God' both involve computers and the troubles they may cause us. While writing this preface, I had occasion to call upon my own HP 9100A computer, Hal Junior, to answer an interesting question. Looking at my records, I find that I have now written just about one hundred short stories. This volume contains eighteen of them: therefore, how many possible 18-story collections will I be able to put together? The answer ­as I am sure will be instantly obvious to you - is 100 x 99. . . x 84 x 83 divided by 18 x 17 x 16 ... x .2 x 1. This is an impressive number - Hal Junior tells me that it is approximately 20,772,733,124,605,000,000.

 

3
THE
33
15
6
4
NINE
42
24
6
7
BILLION
73
37
1
5
NAMES
52
16
7
2
OF
21
12
3
3
GOD
26
17
8
24
-
247
121
31
2+4
-
2+4+7
1+2+1
3+1
6
-
13
4
4
-
-
1+3
-
-
6
-
4
4
4

 

Page 15

The Nine Billion Names of God


'This is a slightly unusual request,' said Dr Wagner, with what he hoped was commendable restraint. 'As far as I know, it's the first time anyone's been asked to supply a Tibetan monastery with an Automatic Sequence Computer. I don't wish to be inquisitive, but I should hardly have thought that your - ah - establishment had much use for such a machine. Could you explain just what you intend to do with it?'
'Gladly,' replied the lama, readjusting his silk robes and carefully putting away the slide rule he had been using far currency conversions. 'Your Mark V Computer can carry out any routine mathematical operation involving up to ten digits. However, for our work we are interested in letters, not numbers. As we wish you to modify the output circuits, the machine will be printing words, not columns of figures.'
'I don't quite understand. . .'
'This is a project on which we have been working for the last three centuries - since the lamasery was founded, in fact. It is somewhat alien to your way of thought, so I hope you will listen with an open mind while I explain it.'
'Naturally.'
'It is really quite simple. We have been compiling a list which shall contain all the possible names of God.'
'I beg your pardon?'

Page16

'We have reason to believe,' continued the lama imperturbably, 'that all such names can be written with not more than nine letters in an alphabet we have devised.'
'And you have been doing this for three centuries?'
'Yes: we expected it would take us about fifteen thousand years to complete the task.'
'Oh,' Dr Wagner looked a little dazed. 'Now I see why you wanted to hire one of our machines. But what exactly is the purpose of this project?'
The lama hesitated for a fraction of a second, and Wagner wondered if he had offended him. If so, there was no trace of annoyance in the reply.
'Call it ritual, if you like, but it's a fundamental part of our belief. All the many names of the Supreme Being - God Jehova, Allah, and so on - they are only man-made labels. There is a philosophical problem of some difficulty here, which I do not propose to discuss, but somewhere among all the possible combinations of letters that can occur are what one may call the real names of God. By systematic permutation of letters, we have been trying to list them all.'
'I see. You've been starting at AAAAAAA . . . and working up to ZZZZZZZZ . . .'
'Exactly - though we use a special alphabet of our own. Modifying the electromatic typewriters to deal with this is, of course, trivial. A rather more interesting problem is that of devising suitable circuits to eliminate ridiculous combinations. For example, no letter must occur more than three times in succession.'
,'Three? Surely you mean two.'
'Three is correct: I am afraid it would take too long to explain why, even if you understood our language.' "

Page 68

Into the Comet


"Pickett's fingers danced over the beads, sliding them up and down the wires with lightning speed. There were twelve wires in all, so that the abacus could handle numbers up to 999,999,999,999 - or could be divided into separate sections where several independent calculations could be carried out simultaneously.
'374072,' said Pickett, after an incredibly brief interval of time. 'Now see how long you take to do it, with pencil and paper.'
There was a much longer delay before Martens, who like most mathematicians was poor at arithmetic, called out '375072'. A hasty check soon confirmed that Martens had taken at least three times as long as Pickett to arrive at the wrong answer.
The atronomer's face was a study in mingled chagrin, astonishment, and curiosity.
'Where did you learn that trick?' he asked. 'I thought those things could only add and subtract.'
'Well - multiplication's only repeated addition, isn't it? All I did was to add 856 seven times in the unit column, three times in the tens column, and four times in the hundreds column. You do the same thing when you use pencil and paper. Of course, there are some short cuts, but if you think I'm fast, you should have seen my granduncle. He used to work in a Yokohama bank, and you couldn't see his fingers / Page 69 / when he was going at speed"

 

 

I

SAY

THREAD THAT THREAD

THREAD READ DEATH DEATH READ THREAD

THREAD R DEATH DEATH R THREAD

THREAD READ DEAR DAERHT

 

 

THE NEW ELIZABETHAN

REFERENCE DICTIONARY

An up-to-date vocabulary of the living English language

Circa 1900

FOURTH EDITION

Page 1472

thread (thred) [A.-S. thraed, from thrawan, to THROW (cp. Dut. draad, G. draht, Icel. thrathr)], n. A slender cord consisting of two or more yarns doubled or twisted ; a single filament of cotton, silk, wool, etc., esp. Lisle thread ; anything resembling this ; a fine line of colour etc. ; a thin seam or vein ; the spiral on a screw ; (fig.) a continuous course (of life etc.). v.t. To pass a thread through the eye or aperture of ; to string (beads etc.) on a thread ; (fig.) to pick (one's way) or to go through an intricate or crowded place, etc. ; to streak (the hair) with grey etc. ; to cut a thread on (a screw). thread and thrum : Good and bad together, all alike. threadbare, a. Worn so that the thread is visible, having the nap worn off ; (fig.) worn, trite, hackneyed. threadbareness, n. thread-mark, n. A mark produced by coloured silk fibres in banknotes to prevent counterfeiting. thread-paper, n. Soft paper for wrapping up thread, thread-worm, n. A thread-like nematode worm, esp. one infesting the rectum of children. threader, n. threadlike, a. and adv. thready, a. threadiness, n.

 

 

THE NEW ELIZABETHAN

REFERENCE DICTIONARY

An up-to-date vocabulary of the living English language

FOURTH EDITION

Circa 1900

Page 1472

thread (thred) [A.-S. thraed, from thrawan, to THROW (cp. Dut. draad, G. draht, Icel. thrathr)], n. A slender cord consisting of two or more yarns doubled or twisted ; a single filament of cotton, silk, wool, etc., esp. Lisle thread ; anything resembling this ; a fine line of colour etc. ; a thin seam or vein ; the spiral on a screw ; (fig.) a continuous course (of life etc.). v.t. To pass a thread through the eye or aperture of ; to string (beads etc.) on a thread ; (fig.) to pick (one's way) or to go through an intricate or crowded place, etc. ; to streak (the hair) with grey etc. ; to cut a thread on (a screw). thread and thrum : Good and bad together, all alike. threadbare, a. Worn so that the thread is visible, having the nap worn off ; (fig.) worn, trite, hackneyed. threadbareness, n. thread-mark, n. A mark produced by coloured silk fibres in banknotes to prevent counterfeiting. thread-paper, n. Soft paper for wrapping up thread, thread-worm, n. A thread-like nematode worm, esp. one infesting the rectum of children. threader, n. threadlike, a. and adv. thready, a. threadiness, n.

 

 

lisle thread: lisle thread

A strong tightly twisted cotton thread (usually made of long-staple cotton) - lisle. Derived forms: lisle threads. Type of: cotton. Nearest ... www.wordwebonline.com/en/LISLETHREAD

 

 

Definition - of Lisle from Dictionary.net

Lisle thread, a hard twisted cotton thread, originally produced at Lisle. Source: Webster's Revised Unabridged Dictionary (1913) ... www.dictionary.net/lisle - 9k

 

 

CASSELL'S ENGLISH DICTIONARY

1974

Lisle thread (lil thred) [ town in France, now Lille], n, A fine, hard thread orig. made at Lille.

 

 

L
=
3
4
LIFE
32
23
5
H
=
8
7
HANGING
60
42
6
B
=
2
2
BY
27
9
9
A
=
1
1
A
1
1
1
T
=
2
6
THREAD
56
29
2
-
-
16
20
First Total
176
104
23
-
-
1+6
2+0
Add to Reduce
1+7+6
1+0+4
2+3
Q
-
7
2
Second Total
14
5
5
-
-
-
-
Reduce to Deduce
1+4
-
-
-
-
7
2
Essence of Number
5
5
5

 

 

-
THREAD
-
-
-
1
R
18
9
9
5
DEATH
38
20
2
6
THREAD
56
29
2

 

LIFE HANGING BY A THREAD

 

-
20
L
I
F
E
-
H
A
N
G
I
N
G
-
B
Y
-
A
-
T
H
R
E
A
D
-
-
-
-
-
--
-
-
-
-
44
-
-
9
-
-
-
8
-
5
-
9
5
-
-
-
-
-
-
-
-
8
-
-
-
-
+
=
44
4+4
=
8
=
8
=
8
62
-
-
9
-
-
-
8
-
14
-
9
14
-
-
-
-
-
-
-
-
8
-
-
-
-
+
=
62
6+2
=
8
=
8
=
8
-
20
L
I
F
E
-
H
A
N
G
I
N
G
-
B
Y
-
A
-
T
H
R
E
A
D
-
-
-
-
-
--
-
-
-
-
60
-
3
-
6
5
-
-
1
-
7
-
-
7
-
2
7
-
1
-
2
-
9
5
1
4
+
=
60
6+0
=
6
=
6
=
6
114
-
12
-
6
5
-
-
1
-
7
-
-
7
-
2
25
-
1
-
20
-
18
5
1
4
+
=
114
1+1+4
=
6
=
6
=
6
-
20
L
I
F
E
-
H
A
N
G
I
N
G
-
B
Y
-
A
-
T
H
R
E
A
D
-
-
-
-
-
--
-
-
-
-
176
-
12
9
6
5
-
8
1
14
7
9
14
7
-
2
25
-
1
-
20
8
18
5
1
4
+
=
176
1+7+6
=
14
1+4
5
=
5
104
-
3
9
6
5
-
8
1
5
7
9
5
7
-
2
7
-
1
-
2
8
9
5
1
4
+
=
104
1+0+4
=
5
=
5
=
5
-
20
L
I
F
E
-
H
A
N
G
I
N
G
-
B
Y
-
A
-
T
H
R
E
A
D
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
1
-
-
-
1
occurs
x
3
=
3
=
3
2
``-
-
-
-
-
-
-
-
-
-
-
-
-
-
2
-
-
-
-
2
-
-
-
-
-
-
-
2
occurs
x
2
=
4
=
4
3
-
3
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
3
occurs
x
1
=
3
=
3
4
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
4
-
-
4
occurs
x
1
=
4
=
4
5
-
-
-
-
5
-
-
-
5
-
-
5
-
-
-
-
-
-
-
-
-
-
5
-
-
-
-
5
occurs
x
4
=
20
2+0
2
6
-
-
-
6
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
6
occurs
x
1
=
6
=
6
7
-
-
-
-
-
-
-
-
-
7
-
-
7
-
-
7
-
-
-
-
-
-
-
-
-
-
-
7
occurs
x
3
=
21
2+1
3
8
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
8
occurs
x
2
=
16
1+6
7
9
-
-
9
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
9
occurs
x
3
=
27
2+7
9
45
20
L
I
F
E
-
H
A
N
G
I
N
G
-
B
Y
-
A
-
T
H
R
E
A
D
-
-
45
-
-
20
-
104
-
41
4+5
2+0
-
9
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
4+5
-
-
2+0
-
1+0+4
-
4+1
9
2
L
I
F
E
-
H
A
N
G
I
N
G
-
B
Y
-
A
-
T
H
R
E
A
D
-
-
9
-
-
2
-
5
-
5
-
-
3
9
6
5
-
8
1
5
7
9
5
7
-
2
7
-
1
-
2
8
9
5
1
4
-
-
-
-
-
-
-
-
-
-
9
2
L
I
F
E
-
H
A
N
G
I
N
G
-
B
Y
-
A
-
T
H
R
E
A
D
-
-
9
-
-
2
-
5
-
5

 

 

RE LIGI ON LIGHT ON RE RE ON LIGHT RE LIGI ON

 

 

GREAT PHILOSOPHIES OF THE EAST

E. W. F. Tomlin 1952

Page 159

"Like the conpilers of the Old Testament: the editors of the Rig-Veda anthology were,careful to preserve intact material beloning to different epochs, We are thus able to trace the development of the early Aryan, religious consciousness , just as a reading of early and later parts of the Bible affords us an enlarged conception of the nature of the Hebrew Yahve. There is wisdom in this refusal on the part of priestly guardians to suppress the primitive elements of their faith; for these are better kept well before the eye than allowed to fester, as the result of exision, in that uneasy corner to be found in the most devout conscience. Some of the vedic hymns are merely satirical, such as that addressed 'To Frogs', which is considered to be a satire on the priesthood; or straightforward vers de societe- such as that on the 'The Gambler', of whose ('dice dearer than soma') it is said:

Downward they roll, and then spring quickly upward, and handless, force

The man with hands to serve them.

Cast on the board, like lumps of magic charcoal, though cold themselves, they burn

The heart to ashes."

 

 

TWO HANDS OF GOD

An Exploration of the Underlying Unity of all Things

Alan Watts 1963

The Cosmic Dance

Page 98

"In Puranic literature the Hindu gods, like those of the Greeks, disport themselves by descending to the human condition and allowing them selves to be carried away by human passions. This is perhaps a way of saying that at every level of /Page 98/ life- divine, human, or animal-the problem and predicament of life is the same; an eternal giving-in to the temptation of losing control of the situation, of trusting oneself to chance-the passion of the gambler. Hence the words of Krishna in the Bhagavad Gita " I am the gambling of the cheat."

 

CHANCE, SKILL, AND LUCK

The psychology of guessing and gambling

John Cohen 1960

Page57

"The propounding of a riddle to an an opponent served a purpose similar to that of divination, for it provided him with an opportunity to demonstrate that the gods supported- him. The questioner held him bound until he found the solution, and once he had found it he was free. The riddle thus had a sacred significance. 10,11 Divination by lot or riddle was never merely a resort to meaningless chance. It was an appeal directed to ssupernatural powers, as when the Greek heroes cast lots to decide who would fight with Hector.12 Since it is impossible to predict the fall of a die or the result of casting lots the outcome must presumably be decided by divine intervention. The professional diviners in the market-places of China foretold the future by means of the samse lots with which the people gambled. To this day playing cards are used for telling fortunes as well as for gambling, on the assumption that a supernatural force influences the shuffling of the cards and hence governs the result. Divination embodies the idea that the gods themselves govern the universe by gambling. The Ases of Scandinavian myths, like the Hindu Siva, god of a thousand names', determinev the fate of mankind by throw-/Page 58/ing dice. So, two, in Homer's Illiad (Bookxv), Poseidon, Zeus and Hades divide the world between them by shaking lots, which by their special power could reveal the will of the gods.13 In the myth of Osiris, Rhea (Nut= the heaven) had five children born on the the five 'epagomenal' days of the year, after the 360th day. Hermes (Thoth) had won those days during a game of draughts with Selene (the moon).
t

 

DOES GOD PLAY DICE

THE NEW MATHEMATICS OF CHAOS

Ian Stewart 1989

Page 1

PROLOGUE

CLOCKWORK OR CHAOS?

"YOU BELIEVE IN A GOD WHO PLAYS DICE, AND I IN COMPLETE LAW AND ORDER."

Albert Einstein, Letter to Max Born

 

 

 

THE LIGHT IS RISING RISING IS THE LIGHT

 

 

ISISIS

ZERO ONE ONE ZERO

NINE NINE NINE

ONE TWO SIX SIX TWO ONE

THREE FOUR FIVE

FIVE FIVE FIVE

FIFTY FOUR FOUR FIFTY

THREE SIX NINE NINE SIX THREE

EIGHTEEN EIGHTEEN

THIRTY SIX SIX SIX THIRTY

EIGHTEEN THIRTY SIX SIX THIRTY EIGHTEEN

 

 

ZEROOREZ

ONEENO TWOOWT THREEEERHT FOURROUF

FIVEEVIF

SIXXIS SEVENNEVES EIGHTTHGIE NINEENIN

 

 

111111111x111111111

=

12345678987654321

 

 

999999999x999999999

=

99999999000000001

 

 

HOW THOU ART FALLEN FROM HEAVEN BRIGHT SON OF THE MORNING

FELLED TO THE EARTH WHICH DIDST WEAKEN THE NATIONS

 

 

THE DEAD SEA SCROLLS

J. M. Allegro 1956

CHAPTER NINE


THE DOCTRINES OF THE SECT

Page 124

THE basic philosophical and religious us conception of the Sect is contained in their doctrine of the Two Spirits. Briefly this implies that there are in the Univese two spirits, one of good and the other of evil, respectively symbolized. as Light and Darkness. Both are under the same supreme rule of God who will eventually give the victory to Good, but only after a prolonged cosmic battle. The war of the Spirits is reflected on earth in the tensions within every man for good and evil, as the. Manual says;

And He assigned to Man two Spirits in which he should until the time of His visitation, They are the spirits of Truth and Perversity: Truth born out of the spring of Light, Perversity from the well of Darkness. The dominion of all the children of righteousness is in the
hands of the Prince of Lights so:that they walk in the ways of Light, whereas the government of the children of Perversity is in the hands of.he Angel of Darkness, to walk in the ways of Darkness. The purpose of the Angel of Darkness is to lead all the children of righteousness astray, and all, their sin, their iniquities, their guilt and - their rebellious works are the result of his domination, in
accordance with. God's mysteries until His appointed time. And all their stripes and seasons of affliction are conseqent upon the rule of his (Satan's) hostility.

Thus the whole cosmos is divided for the time being into two camps, and as Man is apportioned these two spirits so will he behave:

Until now the Spirits of Truth and Perversity struggle within the heart of Man, behaving with wisdom and folly. And according as a man inherits truth and righteousness; so will he hate, Perversion, but in so far as his / Page 125 / heritage is rather from the side of perversion and wickedness, so shall he loathe the Truth.

Another docunient tells us that his 'inheriting' of these Spirits depends on the stars at his birth, and even that the proportions within a man can be numerically reckoned.
:Here are the fruits of the Spirit of Truth as enumerated in the Manual:

To enlighten the heart of Man and to make straight before him all the ways of true righteousness, to make his heart fearful for the judgements of God; a humble spirit, an even temper, a freely compassionate nature, an eternal goodness, and understanding and insight and mighty wisdom which believes in all God's works, and a confident trust in His many mercies, and a spirit of knowledge in every ordered work, and zeal for righteous judgements, and a determined holiness with steadfast mind; loyal feelings towards all the children of Truth, and a radiant purity which loathes every impure idol; a, humble bearing and a discretion regarding all the hidden things of Truth and secrets of Knowledge.

The reward to those who show these qualities in their lives

is healing and abundant peace, length of life and fruitful seed with everlasting blessings, and eternal joy in immortality, a crown of glory and a robe of majesty in eternal light.

To be contrasted with this sublime state is the lot of those led by the Spirit of Perversion. Among the fruits of their Spirit are greed, injustice, wickedness, falsehood, pride, deceit, hasty temper, jealousy, lechery, blasphemy, spiritual obtuseness, and obstinacy, and vile cunning. No wonder that the best he can expect hi the 'Day of Visitation' is many stripes from the Angels of Destruction, in the everlasting Pit, thrtaigh the overwhelming God of Vengeance, in everlasting terror and perpetual disgrace, with the shame of extermination in the Fire of the dark regions. And all their times for all generations will be in grievous mourning and bitter misfortune, in the dark calamities until they are destroyed with no chance to escape.

Page 126

Since the the Spirits are apportioned at birth, this apparent determinism may seem to override the bounds of justice. If a man by his stars, is given a balance of evil in his character it seems hardly fair to condemn him to such punishment for eternity. The argument will have a familiar ring in these days of popular psychology, but the Qumran Covenanter, at least had his answer, For all Men there was one way of salvation depending on his own will and the mercy of God. If he could but apply hirnself to the study of God's Word in humility and pious devotion, God would answer by granting him a restored cleanliness, a sense of perfection.

For it is . . . through the submission of his soul to the statutes of God that his flesh may be cleansed ('flesh being here exactly the Pauline sarrx, the debased moral nature of Man) . . .will order his steps in the Perfect Way and in.all the paths of God not transgressing a single one of His words.

Man must prepare himself by self-discipline, but the action of cleansing is entirely dependent on the will of God. Man has no claim. to justification merely on the grounds of his good works; it ii'an act of divine grace, as much in the eyes of the Covenanter as of Paul.

As for me [says the psalmist at the, end of the Manual], my justification belongs to God, and in His hand is the perfection of my way . . . . and from the fountain of His righteousness (springs) my justification, a light in my heart.

And again,

If I totter, the covenant love of God is my eternal salvation, and if I stumble in the crookedness of my flesh, my justification depends on the righteousness of God, which is eternal.

The word used here for 'justification' is mishpat, which also means 'judgement!'. Man's, justification is the pronounced verdict of God, a .legal 'clearing' which by no means implies sinlessness. Rather, Man's iniquity has been cleansed by the grace of God: he is restored into true sonship / Page 127 / and, in the words of another passage of the Manuel, 'estimated perfect'

In all this, many of my Christian readers will have begun to feel the warmth of a familiar hearth. Here are the ideas of the New Covenant, the emphasis on justification by grace and a doctrine of perfection. We are indeed bordering very closely on to Christian soil and must accordingly begin to, weave our threads of Qumran theology into the fabric of the New Testament to understand fully the considerable significance of the new material for the history of the Church.

Let us first return to the basic doctrine of the Two Spirits. The richest source of New Testament comparison is certainly in the writings of St John. In his first Epistle there is hardly a paragraph which does not contain some reference to the opposition of Light and Darkness, of Truth and Error (a legitimate translation of 'awon, 'perversion', at root, anything twisted).

God is Light, and in Him is no darkness at all. If we say that we have fellowship with Him, and walk in darkness, we lie, and do not the truth (a favourite. Qumran phrase) : but if we walk in the Light, as He is in the Light, we have fellowship one with another (i. 5-7).

The spirits of this world must be tested and proved according to their response to the central fact of creation, the Messiahship of Jesus :

Beloved, believe not every spirit, but prove the spirits, whether they are of God: because many false prophets are gone out into the world . . . Hereby know ye the Spirit of God: every spirit which confesseth that Jesus Christ is come in the flesh is of God: and every spirit which confesseth not Jesus is not of God (iv. 1-3).

Perhaps most familiar is the Prologue of the Gospel:

In him was life; and the life was the Light of men. And the Light shineth in the darkness; and the darkness apprehendeth it not ... There was the true Light, even the Light which lighteth every man coming into the world (i. 4-5, 9).

Page 128

It is a fact that the Qumran library has profoundly affected the study of the Johannine writings and many long- held conceptions have had to be radically revised. No longer can John be regarded as the most Hellenistic of the Evangelists; his `gnosticism' and the whole framework of his thought is seen now to spring directly from a Jewish sectarianism rooted in Palestinian soil, and his material recognized as founded in the earliest layers of Gospel traditions.

In 'the Light which lighteth every man' we have explicitly the idea of apportionment of the Spirit of Light to Man at birth, and perhaps the enigmatic phrase in iii. 34,

for he giveth not the Spirit by measure

has reference to the numerical division of Qumran. To John, the apportionment of the Spirit of Light to Jesus was such that he became Light itself: I am the Light of the world', and he records that the promise to those about him who would believe on him and his mission was that they should become 'sons of Light', the exact terminology used by the Sect to. describe themselves in the apocalyptic war with the 'sons of Darkness '. Jesus speaks of a 'second birth' when a Man would 'be born of the water and the Spirit', and we might recall the Qumran psalm which speaks of God purifying

some of the sons of man to abolish the spirit of perversion from his flesh, and to cleanse him by His Holy Spirit from all wicked deeds, and sprinkle on him the Spirit of Truth as purifying water.

Just as the Qumran sectarians waited for the final vindication of the Spirit of Light at the Time of Visitation, so to John, in a different perspective,

the darkness is passing away, and the true Light already shineth (I. ii. 8).

This opposition of Light and Darkness, Truth and Error, comes clearly enough from Iranian thought, but it did not develop into an absolute dualism at Qumran as it did there. Both good and bad spirits are subject to God, although ,/ Page 129 / naturally enough here, as in John, we are coming perilously near to a dualism in the personification of the Spirit of Evil in the Angel of Darkness, or Belial for Qumran, and Satan, the Devil, the Prince of this world', 'murderer from the beginning', for John. Demon possession is a necessary corollary of this doctrine, and of course occurs time and time again in the gospel stories, particularly in the healing miracles. Jesus used his authority as one abundantly `possessed' of the opposite Spirit, to cast out the powers of darkness in the mentally sick. Thus his enemies' assertion that he was the Devil himself was quite absurd:

and if Satan casteth out Satan, he is divided against himself . . . But if I by the Spirit of God cast out devils, then is the kingdom of God come upon you (Matt. xii. 26-8).

If Jesus is demonstrating the power of the Spirit of Light in this way against the powers of Darkness, it can only mean that the cosmic battle is nearing its climax in the universe, and the `rule' or ' kingdom' of God is being wonderfully demonstrated in the world. God has at last come to the aid of a divided mankind, in the person of His Messiah, or Prince of Light, who enters the house of Satan, the strong man', and despoils it The moral issues of the world take on their true colours : no longer do the greys and half-whites plague man's decisions, but he is confronted with blacks and whites, and the choice is clear-cut :

He that is not with me is against me (Matt. xii. 3o).

To be kept contantly in mind when reading Qumran literature, as also the New Testament, is the sense of - impending doom which pervaded religious thought of this time, and which at intervals, has done so ever since. We have already seen that the Qumran sectarians went into the desert to prepare for the Day of Visitation, and from there they viewed the terrible events in their land and read them as the 'signs of the times '. Jesus, too, is aware of, a special tension in the world, coming to a climax as he faced his death, in which the Spirits of Darkness would make their /Page 130/ final bid for supremacy, but which would in its victory, usher in the new age.This time of trial would. be shared by all living in those days, for in every man the forces of evil would increase.their struggle against the powers of Light and Truth as the end drew near. It was a time of Temptation (peirasmos of the New Testament), and Jesus' hope for his followers was that they should be spared this terrible conflict within their hearts which he himself was undergoing as representative of mankind.

'Pray that ye enter not into temptation is the keynote of his last messages, and when the climax was-drawmg near, and the forces of Darkness drew themselves together for the supreme battle, he bade.his disciples keep awake in the Garden: 'Watch and pray, that ye enter not into temptation.' His pattern of prayer again sounds this note of urgency, though over-repetition would seem to have blunted
most of us. 'Thy kingdom come' is no vague hope for the morrow, but a cry of anguish from the bottom of a tortured soul for the end of the Age, a release from the spiritual battle which the new age of Light and goodness would bring.

'Lead us not into temptation but deliver us from evil' is the plea of a soul battling within itself as the powers of darkness begin to pit their strength against an awkened conscience.

The Mysteries

God, through the.mysteries of His understanding and his glorious wisdom and His glorious wisdom, has ordained a set period for
Perversioni, and in the time of His visitation He will destroy it for ever. Then shall the truth of the tiniverse s hine forth for all time.

Thus speaks the Manual of Discipline; now listen to Paul in his letter to the Romans:

according to the revelation of the rnysstery which hath been kept in silence through times eternal, but now is manifested (xvi. 25-26).

Page 131

And again to the Corinthians:

but we speak God's Wisdom in a Mystery, even the wisdom that hath been hidden, which God foredained before the worlds unto our glory: which none of the rulers of this world knoweth: for had they known it they would not have crucified the Lord of glory . . . But unto us God revealed it through the Spirit: for the Spirit. searcheth, all things, yea, the deep things of God (I. ii. 7.7-10).

And speaking to the.Ephesianst
. . . how that by revelation was made known unto me the thystery, as I wrote afore a few words, whereby, when ye read, ye can perceive my understanding in the mystery of Christ; which in other generations was not made known unto the sons of men, as it hath now been revealed unto his holy apostles and prophets in the spirit. . . ; unto me . . .was this grace given, to preach unto the Gentiles the unsearchable riches of Christ: and to make all men see what is the dispensation of the mystery which from all ages hath been hid in God who created, all things (iii. 3-9).

So possession of the Holy Spirit was to Paul a means of unlocking these divine 'mysteries'. The !teacher of Righteousness of the Qumran. Community also had. access to these secrets, as we learn from the commentary on Habakkuk:

to whom God made known all the secrets of the words of His servants; the prophets.

The 'mystery ' theme, originally traceable to Persian thought and found to some extent even in orthodox Judaism, is very common in Qumran literature, and again there can be little:doubt that Paul was standing in a direct line of tradition with our Sectarians when he used the idea and, indeed, at times the exact terminology, of the Scrolls in this connexion. But, as in his doctrine of justification and
redemption, Paul is looking primarily to the work. and person Jesus, as the, source of grace and knowledge of the mysteries. For Paul, this process of revelation, making the unknown .God 'knowable', was now available not only to / Page 132 / God's servants the prophets' but even to the Gentiles through the universality of the Messiah.

 

 

I

THE

ME

SO

THIS

SIRIUS OSIRIS SIRIUS

I SIS SO IRIS SIRI OS SIS I

OSIRISISIRISO

ISISISEYESISEYESISISIS

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12345678987654321

 

 

I

THE

ME

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THIS

SIRIUS OSIRIS SIRIUS

I SIS SO IRIS SIRI OS SIS I

OSIRISISIRISO

ISISISEYESISEYESISISIS

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I

9

THE

2+8+5

ME

4+5

SO

1+6

THIS

2+8+9+1

SIRIUS OSIRIS SIRIUS

1+9+9+9+3+1 6+1+9+9+9+1 1+9+9+9++3+1

SIRIUS OSIRIS SIRIUS

 

 

I SIS SO IRIS I SIRI OS SIS I

9 1+9+1 1+6 9+9+9+1 9 1+9+9+9 6+1 1+9+1+9

I SIS SO IRIS I SIRI OS SIS I

 

 

OSIRISISIRISO

6+1+9+9+9+1+9+1+9+9+9+1+6

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ISISISEYESISEYESISISI

9+1+9+1+9+1 5+7+5+1+9+1+5+7+5+1+9+1+9+1+ 9

I SISISEYESISEYESISIS I

 

 

111111111x111111111

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ANUBIS A NUMBER IS

 

 

DIVINE FEMININE DIVINE MASCULINE DIVINE

DIVINE MASCULINE DIVINE FEMININE DIVINE

 

 

I HAVE COME HAVE I

 

 

FRATERNAL GREETINGS GREETINGS FRATERNAL

OF

PEACE AND LOVE AND LOVE AND PEACE

ALWAYS

UNTO

ALL SENTIENT BEINGS ALL BEINGS SENTIENT ALL

 

 

Forum > Lyrics > Lord Of The Dance. > Lord Of The Dance. Sydney Carter. I danced in the morning when the world was young I danced in the moon and the stars ... celtic-lyrics.com/forum/index.

 

I danced in the morning when the world was young
I danced in the moon and the stars and the sun
I came down from heaven and I danced on the earth
At Bethlehem I had my birth

Dance, dance, wherever you may be
I am the lord of the dance, said he
And I lead you all, wherever you may be
And I lead you all in the dance, said he

I danced for the scribes and the Pharisees
They wouldn't dance, they wouldn't follow me
I danced for the fishermen James and John
They came with me so the dance went on

Dance, dance, wherever you may be
I am the lord of the dance, said he
And I lead you all, wherever you may be
And I lead you all in the dance, said he

I danced on the Sabbath and I cured the lame
The holy people said it was a shame
They ripped, they stripped, they hung me high
Left me there on the cross to die

Dance, dance, wherever you may be
I am the lord of the dance, said he
And I lead you all, wherever you may be
And I lead you all in the dance, said he

I danced on a Friday when the world turned black
It's hard to dance with the devil on your back
They buried my body, they thought I was gone
But I am the dance, and the dance goes on

Dance, dance, wherever you may be
I am the lord of the dance, said he
And I lead you all, wherever you may be
And I lead you all in the dance, said he

They cut me down and I leapt up high
I am the life that will never, never die
I'll live in you if you'll live in me
I am the Lord of the dance, said he

Dance, dance, wherever you may be
I am the lord of the dance, said he
And I lead you all, wherever you may be
And I lead you all in the dance, said he

 

 

I

AM THE DANCE AND THE DANCE GOES ON

ALWAYS

 

 

2
IS
28
10
1
9
UNIVERSAL
121
40
4
4
MIND
40
22
4
3
THE
33
15
6
4
MIND
40
22
4
2
OF
21
12
3
9
HUMANKIND
95
41
5
33
First Total
378
162
27
3+3
Add to Reduce
3+7+8
1+6+2
2+7
6
Second Total
18
9
9
-
Reduce to Deduce
1+8
-
-
6
Essence of Number
9
9
9

 

 

9
UNIVERSAL
121
40
4
4
MIND
40
22
4
2
IS
28
10
1
3
THE
33
15
6
4
MIND
40
22
4
2
OF
21
12
3
9
HUMANKIND
95
41
5
33
First Total
378
162
27
3+3
Add to Reduce
3+7+8
1+6+2
2+7
6
Second Total
18
9
9
-
Reduce to Deduce
1+8
-
-
6
Essence of Number
9
9
9

 

 

3
BIG
18
18
9
3
EAR
24
15
6
6
Add to Reduce
42
33
15
-
Reduce to Deduce
4+2
3+3
1+5
6
Essence of Number
6
6
6

 

 

3
BIG
18
18
9
4
HEAR
32
23
5
7
Add to Reduce
50
41
14
-
Reduce to Deduce
5+0
4+1
1+4
7
Essence of Number
5
5
5

 

 

3
BIG
18
18
9
4
HERE
36
27
9
7
Add to Reduce
54
45
18
-
Reduce to Deduce
5+4
4+5
1+8
7
Essence of Number
9
9
9

 

 

3
THE
33
15
6
3
WOW
61
16
7
6
SIGNAL
62
26
8
12
First Total
156
57
21
1+2
Add to Reduce
1+5+6
5+7
2+1
3
Second Total
12
12
3
-
Reduce to Deduce
1+2
1+2
-
3
Essence of Number
3
3
3

 

 

3
THE
33
15
6
3
WOW
61
16
7
7
SIGNALS
81
27
9
13
Add to Reduce
175
58
22
1+3
Reduce to Deduce
1+7+5
5+8
2+2
4
Essence of Number
13
13
4
-
-
-
-
-
-
-
-
-
-
8
THIRTEEN
99
45
9

 

 

3
CAN
18
9
9
1
I
9
9
9
4
HEAR
32
23
5
3
THE
33
15
6
3
WOW
61
16
7
7
SIGNALS
81
27
9
21
First Total
234
99
45
2+1
Add to Reduce
2+3+4
9+9
4+5
3
Second Total
9
18
9
-
Reduce to Deduce
-
1+8
-
3
Essence of Number
9
9
9

 

 

1
I
9
9
9
3
CAN
18
9
9
4
HEAR
32
23
5
3
THE
33
15
6
3
WOW
61
16
7
7
SIGNALS
81
27
9
21
First Total
234
99
45
2+1
Add to Reduce
2+3+4
9+9
4+5
3
Second Total
9
18
9
-
Reduce to Deduce
-
1+8
-
3
Essence of Number
9
9
9

 

 

THE CITIZEN

WAKEFIELD

City of Wakefield Metropolitan District Council

Issue 26 July/August 2006

THE PAPER FOR THE DISTRICT'S RESIDENTS

Page 11

"WOW What's On in Wakefield District"

"DIARY OF FORTHCOMING EVENTS"

 

 

FIRST CONTACT

THE SEARCH FOR EXTRA TERRESTRIAL INTELLIGENCE

Edited by Ben Nova and Byron Preiss 1990

Page 256

"Two types of unexplained signals were detected during this search. The first kind is quite rare, with the best example being the 'Wow' signal found in 1977. This /Page 257/ name was unintenionally applied from Jerry Ehman's comments in the margin of the computer printout when he noticed the signal. The signal was unmistakably strong and had all the characteristics of an extra-terrestrial signal."

"We searched in the direction of the 'Wow!' signal hundreds of times after its discovery and over a wide frequency range. We never found the signal again.

"...the 'Wow signal was received only once..."

"What was the wow signal? Probably we will never know."

 

 

OF TIME AND STARS

Arthur C. Clarke 1972

The Sentinel

"I can never look now at the Milky Way without wondering from which of those banked clouds of stars the emissaries are coming. If you will pardon so commonplace a simile, we have set off the fire alarm and have nothing to do but wait.

I do not think we will have to wait for long."

 

 

LIFE OUT THERE

Michael White1998

SIGNALS FROM BEYOND

5

Page 99/100

Page 102

"So farthe most important find was a signal detected at the Ohio University 'Big Ear' radio telescope in August 1977. Known by SETI researchers and enthusiasts as the 'Wow' signal, after the monoyllabic exclamation written on the computer print-out by an astonished astronomer at the station, it lasted exactly thirty-seven seconds and appears to have come from the direction of Sagittarius. Although, most strikingly, the signal was a narrow-band signal precisely at the hydrogen frequency of 1420 MHz, it has not been detected even a second time, in Sagittarius or anywhere else.

So, what of the future? Is the continuing search for intelligent life in the Universe a total waste of money, as its opponents insist, or are we perhaps on the threshold of a great discovery?

 

 

"LIFE OUT THERE"

4
LIFE
32
23
5
3
OUT
56
11
2
5
THERE
56
29
2
12
Add to Reduce
144
63
9
1+2
Reduce to Deduce
1+4+4
6+3
-
3
Essence of Number
9
9
9

 

 

-
12
L
I
F
E
-
O
U
T
-
T
H
E
R
E
-
-
-
-
-
--
-
-
-
-
44
-
-
9
-
-
-
6
-
-
-
-
8
-
-
-
+
=
23
2+3
=
5
=
5
=
5
62
-
-
9
-
-
-
15
-
-
-
-
8
-
-
-
+
=
32
3+2
=
5
=
5
=
5
-
12
L
I
F
E
-
O
U
T
-
T
H
E
R
E
-
-
-
-
-
--
-
-
-
-
60
-
3
-
6
5
-
-
3
2
-
2
-
5
9
5
+
=
40
4+0
=
4
=
4
=
4
114
-
12
-
6
5
-
-
21
20
-
20
-
5
18
5
+
=
112
1+1+2
=
4
=
4
=
4
-
12
L
I
F
E
-
O
U
T
-
T
H
E
R
E
-
-
-
-
-
--
-
-
-
-
176
-
12
9
6
5
-
15
21
20
-
20
8
5
18
5
+
=
144
1+4+4
=
9
=
9
=
9
104
-
3
9
6
5
-
6
3
2
-
2
8
5
9
5
+
=
63
6+3
=
9
=
9
=
9
-
12
L
I
F
E
-
O
U
T
-
T
H
E
R
E
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
``-
``-
-
-
-
-
-
-
-
2
-
2
-
-
-
-
-
-
2
occurs
x
2
=
4
=
4
-
-
3
-
-
-
-
-
3
-
-
-
-
-
-
-
-
-
3
occurs
x
2
=
6
=
6
4
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
4
-
-
-
-
-
-
-
-
-
-
-
-
5
-
-
-
-
-
-
-
5
-
5
-
-
5
occurs
x
3
=
15
1+5
6
-
-
-
-
6
-
-
6
-
-
-
-
-
-
-
-
-
-
6
occurs
x
2
=
12
1+2
3
7
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
-
-
-
-
-
8
occurs
x
1
=
8
=
8
-
-
-
9
-
-
-
-
-
-
-
-
-
-
9
-
-
-
9
occurs
x
2
=
18
1+8
9
12
12
L
I
F
E
-
O
U
T
-
T
H
E
R
E
-
-
33
-
-
12
-
63
-
41
1+2
1+2
-
9
-
-
-
-
-
-
-
-
-
-
9
-
-
-
3+3
-
-
1+2
-
6+3
-
4+1
3
3
L
I
F
E
-
O
U
T
-
T
H
E
R
E
-
-
6
-
-
3
-
9
-
5
-
-
3
9
6
5
-
6
3
2
-
2
8
5
9
5
-
-
-
-
-
-
-
-
-
-
3
3
L
I
F
E
-
O
U
T
-
T
H
E
R
E
-
-
6
-
-
3
-
9
-
5

 

 

12
L
I
F
E
-
O
U
T
-
T
H
E
R
E
-
-
-
-
-
--
-
-
-
-
-
-
9
-
-
-
6
-
-
-
-
8
-
-
-
+
=
23
2+3
=
5
=
5
=
5
-
-
9
-
-
-
15
-
-
-
-
8
-
-
-
+
=
32
3+2
=
5
=
5
=
5
12
L
I
F
E
-
O
U
T
-
T
H
E
R
E
-
-
-
-
-
--
-
-
-
-
-
3
-
6
5
-
-
3
2
-
2
-
5
9
5
+
=
40
4+0
=
4
=
4
=
4
-
12
-
6
5
-
-
21
20
-
20
-
5
18
5
+
=
112
1+1+2
=
4
=
4
=
4
12
L
I
F
E
-
O
U
T
-
T
H
E
R
E
-
-
-
-
-
--
-
-
-
-
-
12
9
6
5
-
15
21
20
-
20
8
5
18
5
+
=
144
1+4+4
=
9
=
9
=
9
-
3
9
6
5
-
6
3
2
-
2
8
5
9
5
+
=
63
6+3
=
9
=
9
=
9
12
L
I
F
E
-
O
U
T
-
T
H
E
R
E
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
2
-
2
-
-
-
-
-
-
2
occurs
x
2
=
4
=
4
-
3
-
-
-
-
-
3
-
-
-
-
-
-
-
-
-
3
occurs
x
2
=
6
=
6
-
-
-
-
5
-
-
-
-
-
-
-
5
-
5
-
-
5
occurs
x
3
=
15
1+5
6
-
-
-
6
-
-
6
-
-
-
-
-
-
-
-
-
-
6
occurs
x
2
=
12
1+2
3
-
-
-
-
-
-
-
-
-
-
-
8
-
-
-
-
-
8
occurs
x
1
=
8
=
8
-
-
9
-
-
-
-
-
-
-
-
-
-
9
-
-
-
9
occurs
x
2
=
18
1+8
9
12
L
I
F
E
-
O
U
T
-
T
H
E
R
E
-
-
33
-
-
12
-
63
-
41
1+2
-
9
-
-
-
-
-
-
-
-
-
-
9
-
-
-
3+3
-
-
1+2
-
6+3
-
4+1
3
L
I
F
E
-
O
U
T
-
T
H
E
R
E
-
-
6
-
-
3
-
9
-
5
-
3
9
6
5
-
6
3
2
-
2
8
5
9
5
-
-
-
-
-
-
-
-
-
-
3
L
I
F
E
-
O
U
T
-
T
H
E
R
E
-
-
6
-
-
3
-
9
-
5

 

 

"SIGNALS FROM BEYOND"

 

7
SIGNALS
81
27
9
4
FROM
52
25
7
6
BEYOND
65
29
2
17
First Total
198
81
45
1+7
Add to Reduce
1+9+8
8+1
4+5
8
Second Total
18
9
9
-
Reduce to Deduce
1+8
-
-
8
Essence of Number
9
9
9

 

 

-
17
S
I
G
N
A
L
S
-
F
R
O
M
-
B
E
Y
O
N
D
-
-
-
-
-
--
-
-
-
-
-
-
1
9
-
5
-
-
1
-
-
-
6
-
-
-
-
-
6
5
-
+
=
33
3+3
=
6
=
6
=
6
-
-
19
9
-
14
-
-
19
-
-
-
15
-
-
-
-
-
15
14
-
+
=
105
6+1
=
7
=
7
=
7
-
7
S
I
G
N
A
L
S
-
F
R
O
M
-
B
E
Y
O
N
D
-
-
-
-
-
--
-
-
-
-
-
-
-
-
7
-
1
3
-
-
6
9
-
4
-
2
5
7
-
-
4
+
=
48
1+1
=
2
=
2
=
2
-
-
-
-
7
-
1
12
-
-
6
18
-
13
-
2
5
25
-
-
4
+
=
93
2+0
=
2
=
2
=
2
-
7
S
I
G
N
A
L
S
-
F
R
O
M
-
B
E
Y
O
N
D
-
-
-
-
-
--
-
-
-
-
-
-
19
9
7
14
1
12
19
-
6
18
15
13
-
2
5
25
15
14
4
+
=
198
1+9+8
=
9
-
9
-
9
-
-
1
9
7
5
1
3
1
-
6
9
6
4
-
2
5
7
6
5
4
+
=
81
8+1
=
9
-
9
-
9
-
17
S
I
G
N
A
L
S
-
F
R
O
M
-
B
E
Y
O
N
D
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
1
-
1
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
occurs
x
3
=
3
=
3
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
2
-
-
-
-
-
-
-
2
occurs
x
1
=
2
=
2
-
-
-
-
-
-
-
3
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
3
occurs
x
1
=
3
=
3
-
-
-
--
--
--
--
--
-
-
-
-
-
4
-
-
-
-
-
--
4
-
-
4
occurs
x
2
=
8
=
8
-
-
-
-
-
5
-
-
-
-
-
-
-
-
-
-
5
-
-
5
-
-
-
5
occurs
x
3
=
15
1+5
6
-
-
-
--
--
--
--
--
-
-
6
-
6
-
-
-
-
-
6
--
-
-
-
6
occurs
x
3
=
18
1+8
9
-
-
-
-
7
-
-
-
-
-
-
-
-
-
-
-
-
7
-
-
-
-
-
7
occurs
x
2
=
14
1+4
5
8
-
-
--
--
--
--
--
-
-
-
-
-
-
-
-
-
-
-
--
-
-
-
8
-
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
-
-
-
9
occurs
x
2
=
18
1+8
9
8
17
S
I
G
N
A
L
S
-
F
R
O
M
-
B
E
Y
O
N
D
-
-
37
-
-
17
-
81
-
45
-
1+7
-
9
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
-
-
-
3+7
-
-
1+7
-
8+1
-
4+5
8
8
S
I
G
N
A
L
S
-
F
R
O
M
-
B
E
Y
O
N
D
-
-
10
-
-
8
-
9
-
9
-
-
1
9
7
5
1
3
1
-
6
9
6
4
-
2
5
7
6
5
4
-
-
1+0
-
-
-
-
-
-
-
8
8
S
I
G
N
A
L
S
-
F
R
O
M
-
B
E
Y
O
N
D
-
-
1
-
-
8
-
9
-
9

 

 

LIFE OUT THERE

Michael White 1998

THE TRUTH OF AND SEARCH FOR EXTRA TERRESTRIAL LIFE

SIGNALS FROM BEYOND

Page 196

INDEPENDENCE DAY

 

 

LIFE OUT THERE

Michael White1998

SIGNALS FROM BEYOND

5

Page 99/100

Page 102

"So farthe most important find was a signal detected at the Ohio University 'Big Ear' radio telescope in August 1977. Known by SETI researchers and enthusiasts as the 'Wow' signal, after the monoyllabic exclamation written on the computer print-out by an astonished astronomer at the station, it lasted exactly thirty-seven seconds and appears to have come from the direction of Sagittarius. Although, most strikingly, the signal was a narrow-band signal precisely at the hydrogen frequency of 1420 MHz, it has not been detected even a second time, in Sagittarius or anywhere else."

 

 

-
SAGITTARIUS
-
-
3
S+A+G
27
18
9
1
I
9
9
9
3
T+T+A
41
5
5
1
R
18
9
9
1
I
9
9
9
2
U+S
40
13
4
11
SAGITTARIUS
144
63
45
1+1
-
1+4+4
6+3
4+5
1
SAGITTARIUS
9
9
9

 

 

-
11
S
A
G
I
T
T
A
R
I
U
S
-
-
-
-
-
--
-
-
-
-
-
-
1
-
-
9
-
-
-
-
9
-
1
+
=
20
2+0
=
2
-
2
-
2
-
-
19
-
-
9
-
-
-
-
9
-
19
+
=
56
5+6
=
11
1+1
2
-
2
-
11
S
A
G
I
T
T
A
R
I
U
S
-
-
-
-
-
-
-
-
-
-
`-
`-
-
1
7
-
2
2
1
9
-
3
-
+
=
25
2+5
=
7
-
7
-
7
-
-
-
1
7
-
20
20
1
18
-
21
-
+
=
88
8+8
=
16
1+6
7
-
7
-
11
S
A
G
I
T
T
A
R
I
U
S
-
-
-
-
-
--
-
-
-
-
`-
`-
19
1
7
9
20
20
1
18
9
21
19
+
=
144
1+4+4
=
9
-
9
-
9
-
-
1
1
7
9
2
2
1
9
9
3
1
+
=
45
4+5
=
9
-
9
-
9
-
11
S
A
G
I
T
T
A
R
I
U
S
-
-
-
-
-
--
-
-
-
-
-
-
1
1
-
-
-
-
1
-
-
-
1
-
-
1
occurs
x
4
=
4
-
4
-
-
-
-
-
-
2
2
-
-
-
-
2
-
-
2
occurs
x
2
=
4
-
4
-
-
-
-
-
-
-
-
-
-
-
3
-
-
-
3
occurs
x
1
=
3
-
3
4
-
-
-
-
-
-
-
-
-
-
-
-
-
-
4
-
-
-
-
-
-
-
5
-
5
-
-
-
-
-
-
-
-
5
-
-
-
5
-
-
-
-
-
-
-
6
-
-
6
-
-
-
-
6
6
-
-
-
-
-
6
-
-
-
-
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
-
-
7
occurs
x
1
=
7
-
7
8
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
-
-
-
-
9
-
-
-
9
9
-
-
-
-
9
occurs
x
3
=
27
2+7
9
23
11
S
A
G
I
T
T
A
R
I
U
S
-
-
22
-
-
11
-
45
-
27
2+3
1+1
-
-
-
9
-
-
-
9
9
-
-
-
-
2+2
-
-
1+1
4+5
-
2+7
5
2
S
A
G
I
T
T
A
R
I
U
S
-
-
4
-
-
2
-
9
-
9
-
-
1
1
7
9
2
2
1
9
9
3
1
-
-
-
-
-
--
-
-
-
-
5
2
S
A
G
I
T
T
A
R
I
U
S
-
-
4
-
-
2
-
9
-
9

 

 

11
S
A
G
I
T
T
A
R
I
U
S
-
-
-
-
-
--
-
-
-
-
-
1
-
-
9
-
-
-
-
9
-
1
+
=
20
2+0
=
2
-
2
-
2
-
19
-
-
9
-
-
-
-
9
-
19
+
=
56
5+6
=
11
1+1
2
-
2
11
S
A
G
I
T
T
A
R
I
U
S
-
-
-
-
-
-
-
-
-
-
`-
-
1
7
-
2
2
1
9
-
3
-
+
=
25
2+5
=
7
-
7
-
7
-
-
1
7
-
20
20
1
18
-
21
-
+
=
88
8+8
=
16
1+6
7
-
7
11
S
A
G
I
T
T
A
R
I
U
S
-
-
-
-
-
--
-
-
-
-
`-
19
1
7
9
20
20
1
18
9
21
19
+
=
144
1+4+4
=
9
-
9
-
9
-
1
1
7
9
2
2
1
9
9
3
1
+
=
45
4+5
=
9
-
9
-
9
11
S
A
G
I
T
T
A
R
I
U
S
-
-
-
-
-
--
-
-
-
-
-
1
1
-
-
-
-
1
-
-
-
1
-
-
1
occurs
x
4
=
4
-
4
-
-
-
-
-
2
2
-
-
-
-
2
-
-
2
occurs
x
2
=
4
-
4
-
-
-
-
-
-
-
-
-
-
3
-
-
-
3
occurs
x
1
=
3
-
3
-
-
-
7
-
-
-
-
-
-
-
-
-
-
7
occurs
x
1
=
7
-
7
-
-
-
-
9
-
-
-
9
9
-
-
-
-
9
occurs
x
3
=
27
2+7
9
11
S
A
G
I
T
T
A
R
I
U
S
-
-
22
-
-
11
-
45
-
27
1+1
-
-
-
9
-
-
-
9
9
-
-
-
-
2+2
-
-
1+1
4+5
-
2+7
2
S
A
G
I
T
T
A
R
I
U
S
-
-
4
-
-
2
-
9
-
9
-
1
1
7
9
2
2
1
9
9
3
1
-
-
-
-
-
--
-
-
-
-
2
S
A
G
I
T
T
A
R
I
U
S
-
-
4
-
-
2
-
9
-
9

 

 

O
=
6
2
OH
23
14
5
W
=
5
7
WHISTLE
96
33
6
A
=
1
3
AND
19
10
1
I
=
9
3
I'LL
33
15
6
C
=
3
4
COME
36
18
9
T
=
2
3
TAE
26
8
8
Y
=
7
3
YOU
61
16
7
M
=
4
2
MY
38
11
2
L
=
3
3
LAD
17
8
8
-
-
40
30
First Total
349
133
52
-
-
4+0
3+0
Add to Reduce
3+4+9
1+3+3
5+2
Q
-
4
3
Second Total
16
7
7
-
-
-
-
Reduce to Deduce
1+6
-
-
-
-
4
3
Essence of Number
7
7
7

 

 

MAN AND THE STARS

CONTACT AND COMMUNICATION WITH OTHER INTELLIGENCE

Duncan Lunan 1974

THE MYSTERIOUS SIGNALS FROM OUTER SPACE

Page 323

DID ANYONE FOLLOW IT UP

13

"Oh whistle and i'll come tae you my lad . . ."

Page 835

IS ANYONE HERE NOW

14

 

"Arthur Clarke said we must learn to live with our/ Page 836 / selves, to meet others properly.14 Chris Boyce said here, in Chapter 8, that we should set our own house:" in order, in our relations with one another and with other life on Earth. Robert Burns said: "Oh wad some po'er the giftie gie us, to see oorsels as ithers see us. . . ." It's time we took some action on that basis; indeed, it always has been."

"Oh wad some po'er the giftie gie us, to see oorsels as ithers see us. . . ."

 

 

I

I ME I

I

I AM ONE AM I

ISISIS

THAT

ISISIS THAT THAT ISISIS

ISISIS THAT THAT THAT ISISIS

ISISIS THAT THAT THAT THAT ISISIS

ISISIS THAT THAT THAT THAT THAT ISISIS

ISISIS THAT THAT THAT THAT THAT THAT ISISIS

ISISIS THAT THAT THAT THAT THAT THAT THAT ISISIS

ISISIS THAT THAT THAT THAT THAT THAT THAT THAT ISISIS

ISISIS THAT THAT THAT THAT THAT THAT THAT THAT THAT ISISIS

ISISIS THAT THAT THAT THAT THAT THAT THAT THAT THAT THAT ISISIS

 

 

-
-
-
-
-
SETI
--
-
-
I
=
9
-
1
I
9
9
9
S
=
1
-
3
SET
44
17
8
-
-
10
-
4
SETI
53
26
17
-
-
1+0
-
-
-
5+3
2+6
1+7
-
-
1
-
4
SETI-
8
8
8

 

 

-
-
-
-
-
SETIS
--
-
-
I
=
9
-
1
I
9
9
9
S
=
1
-
4
SETS
63
27
9
-
-
10
-
5
SETIS
72
36
17
-
-
1+0
-
-
-
7+2
2+6
1+7
-
-
1
-
5
SETIS
9
9
9

 

SUN

SUN SET I SET SUN

SETI IS IS SETI

I ESET ESET I

 

-
3
S
E
T
I
-
-
-
-
-
--
-
-
-
-
1
-
-
9
+
=
10
1+0
-
1
-
1
`-
`-
19
-
-
9
+
=
28
2+8
=
10
1+0
1
-
3
S
E
T
I
-
-
-
-
-
--
-
-
-
-
-
5
2
-
+
=
7
-
=
7
1+0
7
`-
`-
-
5
20
-
+
=
25
2+5
=
7
-
7
-
3
S
E
T
I
-
-
-
-
-
--
-
-
`-
`-
19
5
20
9
+
=
53
5+3
=
8
=
8
-
-
1
5
2
9
+
=
17
1+7
=
8
1+0
8
-
3
S
E
T
I
T
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
1
occurs
x
1
=
1
-
-
-
-
2
-
-
-
2
occurs
x
1
=
2
3
-
-
-
-
-
-
-
3
-
-
-
-
`-
4
-
-
-
-
-
-
-
4
-
-
-
-
-
-
-
-
5
-
-
-
-
5
occurs
x
1
=
5
6
-
-
-
-
-
-
-
6
-
-
-
-
-
7
-
-
-
-
-
-
-
7
-
-
-
-
-
8
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
-
-
9
-
-
9
occurs
x
1
=
9
28
3
S
E
T
I
-
-
17
-
-
3
-
17
2+8
T
-
-
-
9
T
-
1+7
-
-
-
-
1+7
10
3
S
E
T
I
-
-
8
-
-
3
-
8
1+0
-
1
5
2
9
T
-
-
-
-
-
-
-
1
3
S
E
T
I
-
-
8
-
-
3
-
8

 

I

AM HERE HERE AM

I

 

 

DAILY MAIL

Friday, August 15, 2008

Ephraim Hardcastle

Page 19

"Oh, wad some power the gift to gie us/ To see oursels as others see us"

 

 

E
=
5
-
2
EX
11
2
2
U
=
3
-
6
UMBRIS
82
28
1
E
=
5
-
2
ET
25
7
7
I
=
9
-
10
IMAGINIBUS
104
50
5
I
=
9
-
2
IN
23
14
5
V
=
4
-
9
VERITATEM
113
41
5
-
-
35
-
31
First Total
358
142
25
-
-
3+5
-
3+1
Add to Reduce
3+5+8
1+4+2
2+5
-
-
8
-
4
Second Total
16
7
7
-
-
-
-
-
Reduce to Deduce
1+6
-
-
-
-
8
-
4
Essence of Number
7
7
7

 

 

O
=
6
-
3
OUT
56
11
2
O
=
6
-
2
OF
21
12
3
S
=
1
-
7
SHADOWS
89
26
8
A
=
1
-
3
AND
82
28
1
P
=
7
-
9
PHANTASMS
111
30
3
I
=
9
-
4
INTO
58
22
4
T
=
2
-
5
TRUTH
87
24
6
-
-
32
-
33
Add to Reduce
441
135
27
-
-
3+2
-
3+3
Reduce to Deduce
4+4+1
1+3+5
2+7
-
-
5
-
6
Essence of Number
9
9
9

 

 

-
11
S
E
R
E
N
D
I
P
I
T
Y
-
-
-
-
-
-
-
-
-
=
-
-
1
-
-
-
5
-
9
-
9
-
-
+
=
24
2+4
=
6
=
6
=
6
-
`-
19
-
-
-
14
-
9
-
9
-
-
+
=
51
5+1
=
6
=
6
=
6
-
11
S
E
R
E
N
D
I
P
I
T
Y
-
-
-
-
-
-
-
-
-
=
-
-
-
5
9
5
-
4
-
7
-
2
7
+
=
39
3+9
=
12
1+2
3
=
3
-
`-
-
5
18
5
-
4
-
16
-
20
25
+
=
93
9+3
=
12
1+2
3
=
3
-
11
S
E
R
E
N
D
I
P
I
T
Y
-
-
-
-
-
-
-
-
-
=
-
`-
19
5
18
5
14
4
9
16
9
20
25
+
=
144
1+4+4
=
9
=
9
=
9
-
-
1
5
9
5
5
4
9
7
9
2
7
+
=
99
9+9
=
18
1+8
9
=
9
-
11
S
E
R
E
N
D
I
P
I
T
Y
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
-
-
-
-
1
occurs
x
1
=
1
=
1
-
-
-
-
-
-
-
-
-
-
-
2
-
-
-
2
occurs
x
1
=
2
=
2
3
-
-
-
-
-
-
-
-
-
-
-
-
-
-
3
-
-
-
-
-
-
-
-
-
-
-
-
-
-
4
-
-
-
-
-
-
-
4
occurs
x
1
=
4
=
4
-
-
-
5
-
5
5
-
-
-
-
-
-
-
-
5
occurs
x
3
=
15
1+5
6
6
-
-
-
-
-
-
-
-
-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
--
-
-
-
-
-
-
-
7
-
-
7
-
-
7
occurs
x
2
=
14
1+4
5
8
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
-
-
-
9
-
-
-
9
-
9
-
-
-
-
9
occurs
x
3
=
27
2+7
9
17
11
S
E
R
E
N
D
I
P
I
T
Y
-
-
28
-
-
11
-
63
-
27
1+7
1+1
-
-
9
-
-
-
9
-
9
-
-
-
-
2+8
-
-
1+1
-
6+3
-
2+7
8
2
S
E
R
E
N
D
I
P
I
T
Y
-
-
10
-
-
2
-
9
-
9
-
-
1
5
9
5
5
4
9
7
9
2
7
-
-
1+0
-
-
-
-
-
-
=
8
2
S
E
R
E
N
D
I
P
I
T
Y
-
-
1
-
-
2
-
9
-
9

 

 

11
S
E
R
E
N
D
I
P
I
T
Y
-
-
-
-
-
-
-
-
-
=
-
1
-
-
-
5
-
9
-
9
-
-
+
=
24
2+4
=
6
=
6
=
6
`-
19
-
-
-
14
-
9
-
9
-
-
+
=
51
5+1
=
6
=
6
=
6
11
S
E
R
E
N
D
I
P
I
T
Y
-
-
-
-
-
-
-
-
-
=
-
-
5
9
5
-
4
-
7
-
2
7
+
=
39
3+9
=
12
1+2
3
=
3
`-
-
5
18
5
-
4
-
16
-
20
25
+
=
93
9+3
=
12
1+2
3
=
3
11
S
E
R
E
N
D
I
P
I
T
Y
-
-
-
-
-
-
-
-
-
=
`-
19
5
18
5
14
4
9
16
9
20
25
+
=
144
1+4+4
=
9
=
9
=
9
-
1
5
9
5
5
4
9
7
9
2
7
+
=
99
9+9
=
18
1+8
9
=
9
11
S
E
R
E
N
D
I
P
I
T
Y
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
-
-
-
-
1
occurs
x
1
=
1
=
1
-
-
-
-
-
-
-
-
-
-
2
-
-
-
2
occurs
x
1
=
2
=
2
-
-
-
-
-
-
4
-
-
-
-
-
-
-
4
occurs
x
1
=
4
=
4
-
-
5
-
5
5
-
-
-
-
-
-
-
-
5
occurs
x
3
=
15
1+5
6
-
-
-
-
-
-
-
-
7
-
-
7
-
-
7
occurs
x
2
=
14
1+4
5
-
-
-
9
-
-
-
9
-
9
-
-
-
-
9
occurs
x
3
=
27
2+7
9
11
S
E
R
E
N
D
I
P
I
T
Y
-
-
28
-
-
11
-
63
-
27
1+1
-
-
9
-
-
-
9
-
9
-
-
-
-
2+8
-
-
1+1
-
6+3
-
2+7
2
S
E
R
E
N
D
I
P
I
T
Y
-
-
10
-
-
2
-
9
-
9
-
1
5
9
5
5
4
9
7
9
2
7
-
-
1+0
-
-
-
-
-
-
=
2
S
E
R
E
N
D
I
P
I
T
Y
-
-
1
-
-
2
-
9
-
9

 

 

-
8
S
E
R
E
N
D
I
P
-
-
-
-
-
-
-
-
-
=
-
-
1
-
-
-
5
-
9
-
+
=
15
1+5
=
6
=
6
=
6
-
`-
19
-
-
-
14
-
9
-
+
=
42
4+2
=
6
=
6
=
6
-
8
S
E
R
E
N
D
I
P
-
-
-
-
-
-
-
-
-
=
-
-
-
5
9
5
-
4
-
7
+
=
30
3+0
=
3
=
3
=
3
-
`-
-
5
18
5
-
4
-
16
+
=
48
4+8
=
12
1+2
3
=
3
-
8
S
E
R
E
N
D
I
P
-
-
-
-
-
-
-
-
-
=
-
`-
19
5
18
5
14
4
9
16
+
=
90
9+0
=
9
=
9
=
9
-
-
1
5
9
5
5
4
9
7
+
=
45
4+5
=
9
=
9
=
9
-
8
S
E
R
E
N
D
I
P
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
-
1
occurs
x
1
=
1
=
1
2
-
-
-
-
-
-
-
-
-
-
-
2
-
-
-
-
-
-
-
3
-
-
-
-
-
-
-
-
-
-
-
3
-
-
-
-
-
-
-
-
-
-
-
-
-
-
4
-
-
-
-
4
occurs
x
1
=
4
=
4
-
-
-
5
-
5
5
-
-
-
-
-
5
occurs
x
3
=
15
1+5
6
6
-
-
-
-
-
-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
--
-
-
-
-
-
-
-
7
-
-
7
occurs
x
1
=
7
=
7
8
-
-
-
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
-
-
-
9
-
-
-
9
-
-
-
9
occurs
x
2
=
18
1+8
9
17
8
S
E
R
E
N
D
I
P
-
-
26
-
-
8
-
45
-
27
1+7
-
-
-
9
-
-
-
9
-
-
-
2+6
-
-
-
-
4+5
-
2+7
8
8
S
E
R
E
N
D
I
P
-
-
8
-
-
8
-
9
-
9
-
-
1
5
9
5
5
4
9
7
-
-
-
-
-
-
-
-
-
=
8
8
S
E
R
E
N
D
I
P
-
-
8
-
-
8
-
9
-
9

 

THE MERRY ASS OF SERENDIP

 

8
S
E
R
E
N
D
I
P
-
-
-
-
-
-
-
-
-
=
-
1
-
-
-
5
-
9
-
+
=
15
1+5
=
6
=
6
=
6
`-
19
-
-
-
14
-
9
-
+
=
42
4+2
=
6
=
6
=
6
8
S
E
R
E
N
D
I
P
-
-
-
-
-
-
-
-
-
=
-
-
5
9
5
-
4
-
7
+
=
30
3+0
=
3
=
3
=
3
`-
-
5
18
5
-
4
-
16
+
=
48
4+8
=
12
1+2
3
=
3
8
S
E
R
E
N
D
I
P
-
-
-
-
-
-
-
-
-
=
`-
19
5
18
5
14
4
9
16
+
=
90
9+0
=
9
=
9
=
9
-
1
5
9
5
5
4
9
7
+
=
45
4+5
=
9
=
9
=
9
8
S
E
R
E
N
D
I
P
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
-
1
occurs
x
1
=
1
=
1
-
-
-
-
-
-
4
-
-
-
-
4
occurs
x
1
=
4
=
4
-
-
5
-
5
5
-
-
-
-
-
5
occurs
x
3
=
15
1+5
6
-
-
-
-
-
-
-
-
7
-
-
7
occurs
x
1
=
7
=
7
-
-
-
9
-
-
-
9
-
-
-
9
occurs
x
2
=
18
1+8
9
8
S
E
R
E
N
D
I
P
-
-
26
-
-
8
-
45
-
27
-
-
-
9
-
-
-
9
-
-
-
2+6
-
-
-
-
4+5
-
2+7
8
S
E
R
E
N
D
I
P
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ISISIS

ZERO ONE ONE ZERO

NINE NINE NINE

ONE TWO SIX SIX TWO ONE

THREE FOUR FIVE

FIVE FIVE FIVE

FIFTY FOUR FOUR FIFTY

THREE SIX NINE NINE SIX THREE

EIGHTEEN EIGHTEEN

THIRTY SIX SIX SIX THIRTY

EIGHTEEN THIRTY SIX SIX THIRTY EIGHTEEN

 

 

ZERO

ONE TWO THREE FOUR

FIVE

SIX SEVEN EIGHT NINE

 

 

ANUBIS A NUMBER IS

 

 

DIVINE FEMININE DIVINE MASCULINE DIVINE

DIVINE MASCULINE DIVINE FEMININE DIVINE

 

 

I

ME

YOU

ENTANGLEMENT

MENTAL ANGLE ANGEL ANGLE MENTAL

ENTANGLES MENTALLY MENTALLY ENTANGLES

KARMAS THOUGHT ENTANGLEMENT THOUGHT KARMAS

123456789 REAL REALITY REVEALED REALITY REAL 987654321

 

 

ISISISISISIS

THOUGHT DIVINE THOUGHT

LIVING FORM FROM OUT THE IN OF GODS LIVING FORM

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IS

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THE WEIGHT OF THIS DOCUMENT

IS

PRESENTLY

0-99 AT 12-00 17TH OF SEPTEMBER 2008

 

 

I DELIGHT IN LIGHT IN LIGHT I DELIGHT

THE LIGHT IS RISING RISING IS THE LIGHT

 

 

IN THE NOW OF OUR TIME

THE OMEN IN THE SUMMONS OF THE MOMENT

 

 

I HAVE COME HAVE I

 

 

5
WORLD
72
27
9
-
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9
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9
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9
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9

 

 

1
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9
9
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HAVE
36
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COME
36
18
9
9
Add to Reduce
81
45
27
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Reduce to Deduce
8+1
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9
Essence of Number
9
9
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THE CLOCKS ALL SAY THAT

NOW IS THE WOW IN THE NOW

OF

OUR

TIME

THE

HORUS OF HOURS

IS

COME AND THE DIE NOW ALL THROW FIVES

 

 

 

 

LIVING FORM FROM OUT THE IN OF GODS LIVING FORM

 

 

GREETINGS FRATERNAL GREETINGS

FROM ME AND MINE TO THEE AND THINE

OF

PEACE AND LOVE AND LOVE AND PEACE

OF

LOVE AND LIGHT OF LIGHT AND LOVE

ALWAYS

UNTO

ALL

SENTIENT LIFE SENTIENT

ALWAYS

 

 

ABCDEFGHIJKLMNOPQRSTUVWXYZ WELCOME HERO WELCOME ABCDEFGHIJKLMNOPQRSTUVWXYZ

 

 

WE HOLD THESE TRUTHS TO BE SELF EVIDENT THAT ALL HUMANKIND ARE CREATED EQUAL THAT THEY ARE ENDOWED BY THEIR CREATOR WITH CERTAIN UNAILIENABLE RIGHTS THAT AMONG THESE ARE LIFE AND LIBERTY AND THE PURSUIT OF HAPPINESS

 

 

ROUNDANDROUNDROUNDANDROUNDROUNDANDROUNDROUND ANDROUNDROUNDANDROUND

 

CITIZENS OF PLANET EARTH

GOOD WISHES OF PEACE LOVE AND LIGHT UNTO AND UPON ALL SENTIENT BEINGS

 

 

I

THAT

AM THAT ME THAT AM

I

SAY

RA IN BOW GOOD WISHES AND WISHES GOOD TO THEE AND THINE FROM ME AND MINE

 



RAINBOW COLOURED A COLOURED RAINBOW

THAT RA LIGHT IN BOW WOW BOW IN LIGHT RA THAT

HURRAH FOR RAH FOR RAH HURRAH

 

 

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57
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351
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Essence of Number
3+5+1
1+6+2
2+7
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7
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Essence of Number
9
9
9

 

 

I THAT AM DEITY THAT DEITY THAT AM I

 

I DIE I DIE I

ALWAYS

DIE

 

 

I

THAT

AM

DROWNING ALWAYS DROWNING

AM

I

IDEAS AND IDEALS IDEALS AND IDEAS

I DIE DIE I

IDEALS AND IDEAS IDEAS AND IDEALS

 

 

1
I
9
9
9
3
DIE
18
18
9
6
IDEAS
38
20
2
6
PLEASE
58
22
4
6
IDEAS
38
20
2
-
-
-
-
-
-
-
-
-
-
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PLEIADES
-
-
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1
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9
9
9
1
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4
4
4
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PLEASE
58
22
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8
PLEIADES
71
35
17
-
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7+1
3+5
1+7
8
PLEIADES
8
8
8

 

 

The Pleiades star cluster also appears in many other mythologies — see Pleiades (star cluster). For alternate meanings see Pleiades (disambiguation). ...
en.wikipedia.org/wiki/Pleiades_(mythology)

 

PLEIADES MYTHOLOGY

The Pleiades (/ˈplaɪədiːz/, also /ˈpliːədiːz/), (in Greek, Πλειάδες /pleiˈades/, Modern /pliˈaðes/), companions of Artemis, were the seven daughters of the titan Atlas and the sea-nymph Pleione born on Mount Cyllene. They are the sisters of Calypso, Hyas, the Hyades, and the Hesperides. The Pleiades were nymphs in the train of Artemis, and together with the seven Hyades were called the Atlantides, Dodonides, or Nysiades, nursemaids and teachers to the infant Bacchus.

There is some debate as to the origin of the name Pleiades. Previously, it was accepted the name is derived from the name of their mother, Pleione. However, the name Pleiades is more likely to come from πλεῖν (to sail), because the Pleiades star cluster is visible in the Mediterranean at night during the summer, from the middle of May until the beginning of November, which coincided with the sailing season in antiquity. This derivation was recognized by the ancients, including Virgil (Georgics 1.136-138).

 

THE SEVEN SISTERS

Several of the most prominent male Olympian gods (including Zeus, Poseidon, and Ares) engaged in affairs with the seven heavenly sisters. These relationships resulted in the birth of children.

  1. Maia, eldest of the seven Pleiades, was mother of Hermes by Zeus.
  2. Electra was mother of Dardanus and Iasion by Zeus.
  3. Taygete was mother of Lacedaemon, also by Zeus.
  4. Alcyone was mother of Hyrieus by Poseidon.
  5. Celaeno was mother of Lycus and Eurypylus by Poseidon.
  6. Sterope (also Asterope) was mother of Oenomaus by Ares.
  7. Merope, youngest of the seven Pleiades, was wooed by Orion. In other mythic contexts she married Sisyphus and, becoming mortal, faded away. She bore to Sisyphus several sons.

All of the Pleiades except Merope consorted with gods.

 

After Atlas was forced to carry the heavens on his shoulders, Orion began to pursue all of the Pleiades, and Zeus transformed them first into doves, and then into stars to comfort their father. The constellation of Orion is said to still pursue them across the night sky.

In the Pleiades star cluster only six of the stars shine brightly, the seventh, Merope, shines dully because she is shamed for eternity for having an affair with a mortal. Some myths also say that the star that doesn't shine is Electra; she is said to have left her place so that she will not have to look down upon the ruin of Troy, because the city was founded by her son Dardanus.[1]

One of the most memorable myths involving the Pleiades is the story of how these sisters literally became stars, their catasterism. According to some versions of the tale, all seven sisters committed suicide because they were so saddened by either the fate of their father, Atlas, or the loss of their siblings, the Hyades. In turn Zeus, the ruler of the Greek gods, immortalized the sisters by placing them in the sky. There these seven stars formed the constellation known thereafter as the Pleiades.

The Greek poet Hesiod mentions the Pleiades several times in his Works and Days. As the Pleiades are primarily winter stars, they feature prominently in the ancient agricultural calendar. Here is a bit of advice from Hesiod:

"And if longing seizes you for sailing the stormy seas,
when the Pleiades flee mighty Orion
and plunge into the misty deep
and all the gusty winds are raging,
then do not keep your ship on the wine-dark sea
but, as I bid you, remember to work the land."

(Works and Days 618-23)

The Pleiades would "flee mighty Orion and plunge into the misty deep" as they set in the West, which they would begin to do just before dawn during October-November, a good time of the year to lay up your ship after the fine summer weather and "remember to work the land"; in Mediterranean agriculture autumn is the time to plough and sow.

The poet Lord Tennyson mentions the Pleiades in his poem Locksley Hall:

"Many a night I saw the Pleiads, rising through the mellow shade,
Glitter like a swarm of fire-flies tangled in a silver braid."

 

 

For alternate meanings, see Pleiades (disambiguation).

The Pleiades (pronounced /ˈpliːədiːz/ or /ˈplaɪədiːz/), also known as M45, the Seven Sisters, Seven Stars, SED, Matariki (New Zealand Maori), or Subaru (Japan), is an open cluster in the constellation of Taurus. It is among the nearest star clusters, and is probably the best known, and is certainly the most obvious to the naked eye.

The cluster is dominated by hot blue stars which have formed within the last 100 million years. Dust that forms a faint reflection nebulosity around the brightest stars was thought at first to be left over from the formation of the cluster (hence the alternate name Maia Nebula after the star Maia), but is now known to be an unrelated dust cloud in the interstellar medium that the stars are currently passing through. Astronomers estimate that the cluster will survive for about another 250 million years, after which it will have dispersed due to gravitational interactions with its galactic neighborhood

The Pleiades are a prominent sight in winter in the Northern Hemisphere and in summer in the Southern Hemisphere, and have been known since antiquity to cultures all around the world, including the Māori and Australian Aborigines, the Chinese, the Maya (who called them Tzab-ek), the Aztec and the Sioux of North America. Some Greek astronomers considered them to be a distinct constellation, and they are mentioned by Hesiod, and in Homer's Iliad and Odyssey. They are also mentioned three times in the Bible (Job 9:9, 38:31; Amos 5:8). The Pleiades (Krittika) are particularly revered in Hindu mythology as the six mothers of the war god Skanda, who developed six faces, one for each of them. Some scholars of Islam suggested that the Pleiades (At-thuraiya) are the Star in Najm which is mentioned in the Quran.

 

 

The Pleiades are a prominent sight in winter in the Northern Hemisphere and in summer in the Southern Hemisphere, and have been known since antiquity to ...
en.wikipedia.org/wiki/Pleiades

PLIEADES

They have long been known to be a physically related group of stars rather than any chance alignment. The Reverend John Michell calculated in 1767 that the probability of a chance alignment of so many bright stars was only 1 in 500,000, and so correctly surmised that the Pleiades and many other clusters of stars must be physically related.[4] When studies were first made of the stars' proper motions, it was found that they are all moving in the same direction across the sky, at the same rate, further demonstrating that they were related.

OBSERVATIONAL HISTORY

Charles Messier measured the position of the cluster and included it as M45 in his catalogue of comet-like objects, published in 1771. Along with the Orion Nebula and the Praesepe cluster, Messier's inclusion of the Pleiades has been noted as curious, as most of Messier's objects were much fainter and more easily confused with comets—something which seems scarcely possible for the Pleiades. One possibility is that Messier simply wanted to have a larger catalogue than his scientific rival Lacaille, whose 1755 catalogue contained 42 objects, and so he added some bright, well-known objects to boost his list.[5]

DISTANCE

The distance to the Pleiades is an important first step in the so-called cosmic distance ladder, a sequence of distance scales for the whole universe. The size of this first step calibrates the whole ladder, and the scale of this first step has been estimated by many methods. As the cluster is so close to the Earth, its distance is relatively easy to measure. Accurate knowledge of the distance allows astronomers to plot a Hertzsprung-Russell diagram for the cluster which, when compared to those plotted for clusters whose distance is not known, allows their distances to be estimated. Other methods can then extend the distance scale from open clusters to galaxies and clusters of galaxies, and a cosmic distance ladder can be constructed. Ultimately astronomers' understanding of the age and future evolution of the universe is influenced by their knowledge of the distance to the Pleiades.

Results prior to the launch of the Hipparcos satellite generally found that the Pleiades were about 135 parsecs away from Earth. Hipparcos caused consternation among astronomers by finding a distance of only 118 parsecs by measuring the parallax of stars in the cluster—a technique which should yield the most direct and accurate results. Later work has consistently found that the Hipparcos distance measurement for the Pleiades was in error, but it is not yet known why the error occurred.[6] The distance to the Pleiades is currently thought to be the higher value of about 135 parsecs (roughly 440 light years).[2][3]

COMPOSITION

The cluster core radius is about 8 light-years and tidal radius is about 43 light years. The cluster contains over 1000 statistically confirmed members, although this figure excludes unresolved binary stars.[7] It is dominated by young, hot blue stars, up to 14 of which can be seen with the naked eye depending on local observing conditions. The arrangement of the brightest stars is somewhat similar to Ursa Major and Ursa Minor. The total mass contained in the cluster is estimated to be about 800 solar masses.[8]

The cluster contains many brown dwarfs, which are objects with less than about 8% of the Sun's mass, not heavy enough for nuclear fusion reactions to start in their cores and become proper stars. They may constitute up to 25% of the total population of the cluster, although they contribute less than 2% of the total mass.[9] Astronomers have made great efforts to find and analyse brown dwarfs in the Pleiades and other young clusters, because they are still relatively bright and observable, while brown dwarfs in older clusters have faded and are much more difficult to study.

Also present in the cluster are several white dwarfs. Given the young age of the cluster normal stars are not expected to have had time to evolve into white dwarfs, a process which normally takes several billion years. It is believed that, rather than being individual low- to intermediate-mass stars, the progenitors of the white dwarfs must have been high-mass stars in binary systems. Transfer of mass from the higher-mass star to its companion during its rapid evolution would result in a much quicker route to the formation of a white dwarf, although the details of this supposed transfer from a deeper gravity well to a lesser are unexplained.[dubious – discuss]

 

AGE AND FUTURE EVOLUTION

Ages for star clusters can be estimated by comparing the Hertzsprung-Russell diagram for the cluster with theoretical models of stellar evolution, and using this technique, ages for the Pleiades of between 75 and 150 million years have been estimated. The spread in estimated ages is a result of uncertainties in stellar evolution models. In particular, models including a phenomenon known as convective overshoot, in which a convective zone within a star penetrates an otherwise non-convective zone, result in higher apparent ages.

Another way of estimating the age of the cluster is by looking at the lowest-mass objects. In normal main sequence stars, lithium is rapidly destroyed in nuclear fusion reactions, but brown dwarfs can retain their lithium. Due to lithium's very low ignition temperature of 2.5 million kelvins, the highest-mass brown dwarfs will burn it eventually, and so determining the highest mass of brown dwarfs still containing lithium in the cluster can give an idea of its age. Applying this technique to the Pleiades gives an age of about 115 million years.[10][11]

The cluster's relative motion will eventually lead it to be located, as seen from Earth many millennia in the future, passing below the feet of what is currently the constellation of Orion. Also, like most open clusters, the Pleiades will not stay gravitationally bound forever, as some component stars will be ejected after close encounters and others will be stripped by tidal gravitational fields. Calculations suggest that the cluster will take about 250 million years to disperse, with gravitational interactions with giant molecular clouds and the spiral arms of the galaxy also hastening its demise.

 

REFLECTION NEBULOSITY

Under ideal observing conditions, some hint of nebulosity may be seen around the cluster, and this shows up in long-exposure photographs. It is a reflection nebula, caused by dust reflecting the blue light of the hot, young stars.

It was formerly thought that the dust was left over from the formation of the cluster, but at the age of about 100 million years generally accepted for the cluster, almost all the dust originally present would have been dispersed by radiation pressure. Instead, it seems that the cluster is simply passing through a particularly dusty region of the interstellar medium.

Studies show that the dust responsible for the nebulosity is not uniformly distributed, but is concentrated mainly in two layers along the line of sight to the cluster. These layers may have been formed by deceleration due to radiation pressure as the dust has moved towards the stars.[12]

 

NAMES AND TECHNICAL INFORMATIONS

The nine brightest stars of the Pleiades are named for the Seven Sisters of Greek mythology: Sterope, Merope, Electra, Maia, Taygete, Celaeno and Alcyone, along with their parents Atlas and Pleione. As daughters of Atlas, the Hyades were sisters of the Pleiades. The English name of the cluster itself is of Greek origin, though of uncertain etymology. Suggested derivations include: from πλεîν plein, to sail, making the Pleiades the "sailing ones"; from pleos, full or many; or from peleiades, flock of doves. The following table gives details of the brightest stars in the cluster:

Pleiades Bright Stars
Name Pronunciation (IPA & respelling) Designation Apparent magnitude Stellar classification
Alcyone /ælˈsaɪəni/, al-sye'-ə-nee Eta (25) Tauri 2.86 B7IIIe
Atlas /ˈætləs/, at'-ləs 27 Tauri 3.62 B8III
Electra /iːˈlɛktrə/, ee-lek'-trə 17 Tauri 3.70 B6IIIe
Maia /ˈmeɪə, ˈmaɪə/; may'-ə, mye'-ə 20 Tauri 3.86 B7III
Merope /ˈmɛrəpi/, mair'-ə-pee 23 Tauri 4.17 B6IVev
Taygeta /teɪˈɪʤətə/, tay-ij'-ə-tə 19 Tauri 4.29 B6V
Pleione /ˈplaɪəni/, plye'-ə-nee 28 (BU) Tauri 5.09 (var.) B8IVep
Celaeno /sɪˈliːnoʊ/, sə-lee'-no 16 Tauri 5.44 B7IV
Asterope /əˈstɛrəpi/, ə-stair'-ə-pee 21 and 22 Tauri 5.64;6.41 B8Ve/B9V
— — 18 Tauri

 

IN FOLKLORE AND INFORMATION

Δέδυκε μεν ἀ σελάννα
καὶ Πληΐαδες, μέσαι δὲ
νύκτες πάρα δ᾽ ἔρχετ᾽ ὤρα,
ἔγω δὲ μόνα κατεύδω.

The Moon is set,
And the Pleiades.
Night's half gone,
Time's passing.
I sleep alone now.		 ”
 
— Sappho
“ Which maketh Arcturus, Orion, and Pleiades, and the chambers of the south.
 ”
 
“ Can you bind the beautiful Pleiades?
Can you loose the cords of Orion?		 ”
 
— Job 38:31
“ Slave of the wheel of labor, what to him
Are Plato and the swing of Pleiades?		 ”
 
“ Many a night I saw the Pleiads, rising thro' the mellow shade,
Glitter like a swarm of fireflies tangled in a silver braid.		 ”
 
— Alfred Tennyson, Locksley Hall
“ Can I get two maybe even three of these,
Comin' from a space to teach you of the Pleiades.		 ”
 
“ Though all I knew of a rote universe were those Pleiades loosed in December,
I promised you I'd set them to verse so I'd always remember.		 ”
 
— Joanna Newsom, "Emily"
“ Our shells clacked on the plates.
My tongue was a filling estuary,
My palate hung with starlight:

As I tasted the salty Pleiades
Orion dipped his foot into the water.

 ”
 
— Seamus Heaney, "Oysters"
“ Last night I saw the Pleiades again,
   Faint as a drift of steam
      From some tall chimney-stack;		 ”
 
— Arthur Adams, "The Pleiades"

The Pleiades' high visibility in the night sky has guaranteed it a special place in many cultures, both ancient and modern. In Greek mythology, they represented the Seven Sisters, while to the Vikings, they were Freyja's hens, and their name in many old European languages compares them to a hen with chicks.

To the Bronze Age people of Europe, such as the Celts (and probably considerably earlier), the Pleiades were associated with mourning and with funerals, since at that time in history, on the cross-quarter day between the autumn equinox and the winter solstice (see Samhain, also Halloween or All Souls Day), which was a festival devoted to the remembrance of the dead, the cluster rose in the eastern sky as the sun's light faded in the evening. It was from this acronychal rising that the Pleiades became associated with tears and mourning. As a result of precession over the centuries, the Pleiades no longer marked the festival, but the association has nevertheless persisted, and accounts for the significance of the Pleiades astrologically.

The early Monte Alto Culture and others in Guatemala such as Ujuxte and Takalik Abaj, made its early observatories, using the Pleiades and Eta Draconis as reference, they were called the seven sisters, and thought to be their original land.[13]

Heliacal risings very often mark important calendar points for ancient peoples.[14] The heliacal rising of the Pleiades (around June) also begins the new year for the Māori of New Zealand, who call the Pleiades Matariki. There is an analogous holiday in Hawaiʻi known as Makaliʻi. The ancient Aztecs of Mexico and Central America based their calendar upon the Pleiades. Their calendric year began when priests first remarked the asterism rising heliacally in the east, immediately before the sun's dawn light obliterated the view of the stars. Aztecs called the Pleiades Tianquiztli (meaning "marketplace").

[edit] Indigenous Australians and Mainland Asians

Depending on the tribe or clan, there are several stories regarding the origins of the Pleiades. Some Indigenous Australian peoples believed the Pleiades was a woman who had been nearly raped by Kidili, the man in the moon.

Another version, often painted by Gabriella Possum Nungurayyi as this is her dreaming (or creation story), daughter of the late Clifford Possum Tjapaltjarri from the Central desert art movement of Papunya, depicts the story of seven Napaltjarri sisters being chased by a man named Jilbi Tjakamarra. He tried to practice love magic to one of the sisters but the sister did not want to be with him and with her sisters, they ran away from him. They sat down at Uluru to search for honey ants but when they saw Jilbi, they went to Kurlunyalimpa and with the spirits of Uluru, transformed into stars. Jilbi transforms himself into what is commonly known as the Morning Star in Orion's belt[citation needed], thus continuing to chase the seven sisters across the sky.

Among the Ban Raji, who live in semi-nomadic settlements scattered throughout western Nepal and northern India, the Pleiades are called the "Seven sisters-in-law and one brother-in-law" (Hatai halyou daa salla). Ban Rajis note that when the Pleiades rises up over the mountain each night, they feel happy to see their ancient kin (Fortier 2008:in press). On a more practical note, Ban Rajis can tell that evening has arrived, indicating that it is about eight o’clock by local time standards when their star-kin rise above the Nepali mountains bordering the Kali River.

[edit] Native Americans

The Lakota Tribe of North America had a legend that linked the origin of the Pleiades to Devils Tower. According to the Seris (of northwestern Mexico), these stars are seven women who are giving birth. The constellation is known as Cmaamc, which is apparently an archaic plural of the noun cmaam "woman".[15]

It was common among the indigenous peoples of the Americas to measure keenness of vision by the number of stars the viewer could see in the Pleiades, a practice which was also used in historical Europe, especially in Greece.[citation needed]

The Native American tribe, the Kiowa, had a myth similar to the Lakota that explained the creation of the Pleiades. According to the Kiowa there were seven young maidens that went out to play and were spotted by several giant bears. The bears saw the young women and began to chase them. In an effort to escape the bears the women climbed on top of a rock and prayed to the spirit of the rock to save them. Hearing their prayers the rock began to rise from the ground towards the Heavens so that the bears couldn't reach the maidens. The seven women reached the sky and were then turned into the star constellation we know today. The bears in an effort to climb the rock left deep claw marks in the sides which had become too steep to climb. The rock later became known as Devil's Tower which is located in the state of Wyoming.[16]

In the ancient Andes, the Pleiades were associated with abundance, because they return to the Southern Hemisphere sky each year at harvest-time. In Quechua they are called collca', or storehouse.

Paul Goble, Native American storyteller, tells a Blackfoot legend that he says is told by other tribes as well. In the story, the Pleiades are orphans that were not cared for by the people, so they became stars. Sun Man is angered by the mistreatment of the children and punishes the people with a drought, until the dogs, the only friends of the orphans, intercede on behalf of the people.

The American Hopi Indians built their underground Kivas for multiple utilitarian uses. The most important of which was their ceremonial meeting place. The access was a ladder through a small hole in the roof of the round hole in the ground. During certain ceremonies, the night passage of the Pleiades over the center of the opening of the entrance hole was a direct signal to begin a certain ceremony. Most of the cultures used the angle of the Pleiades in the night sky as a time telling device.

[edit] Ukrainian

In Ukrainian traditional folklore the Pleiades are known as Стожари (Stozhary), Волосожари (Volosozhary), or Баби-Звізди (Baby-Zvizdy).

'Stozhary' can be etymologically traced to "стожарня" (stozharnya) meaning a 'granary', 'storehouse for hay and crops', or can also be reduced to the root "сто-жар", (sto-zhar) meaning 'hundredfold glowing'.[17] ..

'Volosozhary' (the ones whose hair is glowing), or 'Baby-Zvizdy' (female-stars) refer to the female tribal deities. Accordingly to the legend, seven maids lived long ago. They used to dance the traditional round dances and sing the glorious songs to honor the gods. After their death the gods turned them into water nymphs, and, having taken them to the Heavens, settled them upon the seven stars, where they dance their round dances (symbolic for moving the time) to this day. (see article in Ukrainian Wikipedia)

In Ukraine this asterism was considered a female talisman until recent times.

 

OTHER CULTURES

In the Bible the Pleiades supposedly mentioned as Khima (Amos 5:8), Talmud (Berachot 58B) says that it has about 100 stars.

In Japan, the Pleiades are known as 昴 Subaru, and have given their name to the car manufacturer whose logo incorporates six stars to represent the five smaller companies that merged into one. Subaru Telescope, located in Mauna Kea Observatory on Hawaii, is named after the Pleiades also.[18]

In Arabic the Pleiades are known as al-Thurayya الثريا, and mentioned in Islamic literature. The name was borrowed into Turkish as a female name, and is in use in both Turkey (as Surayya) and Arab countries (for example Thoraya Obaid). It is also the name of the Thuraya satellite phone system based in the United Arab Emirates.

In Turkish they are known as Ülker[citation needed].

In the Persian language they are known as "Pervin"[citation needed].

In Chinese constellations, they are 昴 mao, the Hairy Head of the white tiger of the West, while the name of the Hindu God Kartikeya means him of the Pleiades.

In the Swahili language of East Africa they are called "kilimia" (Proto-Bantu *ki-dimida in Bantu areas E, F, G, J, L, and S) which comes from the verb -lima meaning "dig" or "cultivate" as their visibility was taken as a sign to prepare digging as the onset of the rain was near.

In the closely related Sesotho language of the Southern Africa's Basotho people the Pleiades are called "Seleme se setshehadi" ("the female planter"). Its disappearance in April (the 10th month) and the appearance of the star Achernar signals the beginning of the cold season. Like many other Southern African cultures, Basotho associate its visibility with agriculture and plenty.

In Western astrology they represent coping with sorrow[19] and were considered a single one of the medieval fixed stars. As such, they are associated with quartz and fennel.

In Esoteric astrology the seven solar systems revolve around Pleides[20]

In Indian astrology the Pleiades were known as the asterism (nakshatra) Kṛttikā (which in Sanskrit is translated as "the cutters.")[21] The Pleiades are called the star of fire, and their ruling deity is the Vedic god Agni, the god of the sacred fire. It is one of the most prominent of the nakshatras, and is associated with anger and stubbornness.

The word has acquired a meaning of "multitude", inspiring the name of the French literary movement La Pléiade and an earlier group of Alexandrian poets, the Alexandrian Pleiad.


[edit] 21st century significance

In Ufology some believers describe "human-like" extraterrestrials (called Pleiadeans) as originating from this system.

One image of the pleiades was selected for the cover art of the US release of Xexyz.

 

[edit] References

  1. ^ a b c d "SIMBAD Astronomical Database". Results for NGC 2244. Retrieved on 2007-04-20.
  2. ^ a b Percival, S. M.; Salaris, M.; Groenewegen, M. A. T. (2005), The distance to the Pleiades. Main sequence fitting in the near infrared, Astronomy and Astrophysics, v.429, p.887.
  3. ^ a b Zwahlen, N.; North, P.; Debernardi, Y.; Eyer, L.; Galland, F.; Groenewegen, M. A. T.; Hummel, C. A. (2004), A purely geometric distance to the binary star Atlas, a member of the Pleiades, Astronomy and Astrophysics, v.425, p.L45.
  4. ^ Michell J. (1767), An Inquiry into the probable Parallax, and Magnitude, of the Fixed Stars, from the Quantity of Light which they afford us, and the particular Circumstances of their Situation, Philosophical Transactions, v. 57, p. 234-264
  5. ^ Frommert, Hartmut (1998) "Messier Questions & Answers". Retrieved March 1, 2005.
  6. ^ Soderblom D.R., Nelan E., Benedict G.F., McArthur B., Ramirez I., Spiesman W., Jones B.F. (2005), Confirmation of Errors in Hipparcos Parallaxes from Hubble Space Telescope Fine Guidance Sensor Astrometry of the Pleiades, The Astronomical Journal, v. 129, pp. 1616-1624.
  7. ^ Adams, Joseph D.; Stauffer, John R.; Monet, David G.; Skrutskie, Michael F.; Beichman, Charles A. (2001), The Mass and Structure of the Pleiades Star Cluster from 2MASS, The Astronomical Journal, v.121, p.2053.
  8. ^ Adams, Joseph D.; Stauffer, John R.; Monet, David G.; Skrutskie, Michael F.; Beichman, Charles A. (2001), The Mass and Structure of the Pleiades Star Cluster from 2MASS, The Astronomical Journal, v.121, p.2053.
  9. ^ Moraux, E.; Bouvier, J.; Stauffer, J. R.; Cuillandre, J.-C. (2003), [http://adsabs.harvard.edu/abs/2003A%26A...400..891M Brown in the Pleiades cluster: Clues to the substellar mass function], Astronomy and Astrophysics, v.400, p.891.
  10. ^ Basri G., Marcy G. W., Graham J. R. (1996), Lithium in Brown Dwarf Candidates: The Mass and Age of the Faintest Pleiades Stars, Astrophysical Journal v.458, p.600
  11. ^ Ushomirsky, G., Matzner, C., Brown, E., Bildsten, L., Hilliard, V., Schroeder, P. (1998), Light-Element Depletion in Contracting Brown Dwarfs and Pre-Main-Sequence Stars, Astrophysical Journal v.497, p.253
  12. ^ Gibson, Steven J.; Nordsieck, Kenneth H. (2003), The Pleiades Reflection Nebula. II. Simple Model Constraints on Dust Properties and Scattering Geometry, The Astrophysical Journal, v.589, p. 362
  13. ^ Maya Astronomy
  14. ^ Brad Schaefer (Yale University). Heliacal Rising: Definitions, Calculations, and some Specific Cases (Essays from Archaeoastronomy & Ethnoastronomy News, the Quarterly Bulletin of the Center for Archaeoastronomy, Number 25.)
  15. ^ Moser, Mary B.; Stephen A. Marlett (2005). Comcáac quih yaza quih hant ihíip hac: Diccionario seri-español-inglés (in Spanish and English). Hermosillo, Sonora and Mexico City: Universidad de Sonora and Plaza y Valdés Editores. 
  16. ^ See Devils Tower National Monument and its Lakĥota name.
  17. ^ The Comprehensive Dictionary of the Contemporary Ukrainian Language. © Perun Publishers, 2005.
  18. ^ A Brief History of Subaru
  19. ^ Morse, Eric (1988). The Living Stars. London: Amethyst Books.
  20. ^ Bailey, Alice (1934). Esoteric Astrology. New York: Lucis Publishing Company.
  21. ^ Dennis M. Harness. The Nakshatras: The Lunar Mansions of Vedic Astrology. Lotus Press (Twin Lakes WI, 1999.) ISBN 978-0-914955-83-2

EXTERNAL LINKS

 

 

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P
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43
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P
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-
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2
2
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2
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3
occurs
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1
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3
=
3
-
-
-
-
-
-
-
4
-
-
-
-
4
occurs
x
1
=
4
=
4
-
-
-
-
5
-
-
-
5
-
-
-
5
occurs
x
2
=
10
1+0
1
6
-
-
-
-
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-
-
-
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6
-
-
-
-
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8
-
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16
8
P
L
E
I
A
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E
S
-
-
33
-
-
14
-
35
-
26
1+6
-
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-
-
9
-
-
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P
L
E
I
A
D
E
S
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-
6
-
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5
-
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-
8
--
--
7
3
5
9
1
4
5
1
-
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--
-
-
-
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8
P
L
E
I
A
D
E
S
-
-
6
-
-
5
-
8
-
8

 

 
P
L
E
1
A
D
E
S
-
-
-
-
-
-
-
-
-
-
`-
-
-
-
9
--
-
-
1
+
=
10
1+0
=
1
=
1
=
1
-
-
-
-
9
--
-
-
19
+
=
28
2+8
=
10
1+0
1
=
1
8
P
L
E
1
A
D
E
S
-
-
-
-
-
-
-
-
-
-
-
7
3
5
--
1
4
5
-
+
=
25
2+5
=
7
=
7
=
7
`-
16
12
5
--
1
4
5
-
+
=
43
4+3
=
7
=
7
=
7
8
P
L
E
1
A
D
E
S
-
-
-
-
-
-
-
-
-
-
`-
16
12
5
9
1
4
5
19
+
=
71
7+1
=
8
=
8
=
8
-
7
3
5
9
1
4
5
1
+
=
35
3+5
=
8
=
8
=
8
8
P
L
E
I
A
D
E
S
-
-
-
-
-
-
-
-
-
-
-
-
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-
-
1
-
-
1
-
-
1
occurs
x
2
=
2
=
2
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-
3
-
-
-
-
-
-
-
-
3
occurs
x
1
=
3
=
3
-
-
-
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-
-
4
-
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-
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4
occurs
x
1
=
4
=
4
-
-
-
5
-
-
-
5
-
-
-
5
occurs
x
2
=
10
1+0
1
-
7
-
-
-
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-
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-
-
7
occurs
x
1
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7
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7
-
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9
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-
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9
occurs
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1
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9
=
9
8
P
L
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I
A
D
E
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-
-
33
-
-
14
-
35
-
26
-
-
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9
-
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-
-
-
-
3+3
-
-
1+4
-
3+5
-
2+6
8
P
L
E
I
A
D
E
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-
-
6
-
-
5
-
8
-
8
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7
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5
9
1
4
5
1
-
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--
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-
-
8
P
L
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5
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8
-
8

 

 

-
11
T
H
E
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P
L
E
1
A
D
E
S
-
-
-
-
-
-
-
-
-
-
-
`-
-
8
-
-
-
-
-
9
--
-
-
1
+
=
18
1+8
=
9
=
9
=
9
-
-
-
8
-
-
-
-
-
9
--
-
-
19
+
=
28
2+8
=
10
1+0
1
=
1
-
11
T
H
E
-
P
L
E
1
A
D
E
S
-
-
-
-
-
-
-
-
-
-
-
-
2
-
5
-
7
3
5
--
1
4
5
-
+
=
25
2+5
=
7
=
7
=
7
-
`-
20
-
5
-
16
12
5
--
1
4
5
-
+
=
43
4+3
=
7
=
7
=
7
-
11
T
H
E
-
P
L
E
1
A
D
E
S
-
-
-
-
-
-
-
-
-
-
-
`-
20
8
5
-
16
12
5
9
1
4
5
19
+
=
104
1+0+4
=
5
=
5
=
5
-
-
2
8
5
-
7
3
5
9
1
4
5
1
+
=
50
5+0
=
5
=
5
=
5
-
11
T
H
E
-
P
L
E
I
A
D
E
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-
-
-
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5
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5
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occurs
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3
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15
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6
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occurs
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occurs
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-
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-
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occurs
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6
11
T
H
E
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P
L
E
I
A
D
E
S
-
-
39
-
-
11
-
50
-
41
--
1+1
-
-
-
-
-
-
-
9
-
-
-
-
-
-
3+9
-
-
1+1
-
5+0
-
4+1
6
2
T
H
E
-
P
L
E
I
A
D
E
S
-
-
12
-
-
2
-
5
-
5
--
--
2
8
5
-
7
3
5
9
1
4
5
1
-
-
1+2
-
-
--
--
-
-
-
6
2
T
H
E
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L
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-
5

 

 

-
SAH ORION
-
-
-
1
S
19
10
1
2
A+H
9
9
9
1
O
15
6
6
1
R
18
9
9
1
I
9
9
9
2
O+N
29
11
2
8
SAH ORION
-
-
-

 

 

S
=
1
3
SAH
28
10
1
O
=
6
5
ORION
71
35
8
-
-
7
8
First Total
99
45
9
-
-
-
-
Add to Reduce
9+9
4+5
-
Q
-
7
8
Second Total
18
9
9
-
-
-
-
Reduce to Deduce
1+8
-
-
-
-
7
8
Essence of Number
9
9
9

 

 

HOLY BIBLE

C

9 V 9

Page 575

JOB

Which maketh Arcturus, Orion, and Pleiades, and the chambers of the south.

 

 

9
SAPTARSHI
111
39
12
-
-
-
-
-
-
-
-
-
-
3
THE
33
15
6
4
STAR
58
13
4
4
SHIP
52
25
7
2
IS
19
10
1
13
Add to Reduce
162
63
18
1+3
Reduce to Deduce
1+6+2
6+3
1+8
4
Essence of Number
9
9
9

 

 

11
DECLARATION
102
48
3
2
OF
21
12
3
10
PRINCIPLES
121
58
4
10
CONCERNING
102
57
3
10
ACTIVITIES
117
45
9
9
FOLLOWING
113
50
5
3
THE
33
15
6
9
DETECTION
95
41
5
2
OF
21
12
3
16
EXTRATERRESTRIAL
213
78
6
12
INTELLIGENCE
115
61
7
94
First Total
1053
477
54
9+4
Add to Reduce
1+0+5+3
4+7+7
5+4
13
Second Total
9
18
9
1+3
Reduce to Deduce
-
1+8
-
4
Essence of Number
9
9
9

 

 

AND THE SPIRIT AND THE BRIDE SAY COME

AND LET THEM THAT HEARETH SAY COME

AND LET THEM THAT IS ATHIRST COME

AND WHOSOEVER WILL LET THEM TAKE THE WATER OF LIFE FREELY

 

 

-
11
T
H
E
-
P
H
O
T
O
N
S
-
-
-
-
-
-
-
-
-
-
-
`-
-
8
-
-
-
8
6
-
6
5
1
+
=
34
3+4
=
7
=
7
=
7
-
-
-
8
-
-
-
8
15
-
15
14
19
+
=
79
7+9
=
16
1+6
7
=
7
-
11
T
H
E
-
P
H
O
T
O
N
S
-
-
-
-
-
-
-
-
-
-
-
-
2
-
5
-
7
-
-
2
-
-
-
+
=
16
1+6
=
7
=
7
=
7
-
`-
20
-
5
-
16
-
-
20
-
-
-
+
=
61
6+1
=
7
=
7
=
7
-
11
T
H
E
-
P
H
O
T
O
N
S
-
-
-
-
-
-
-
-
-
-
-
`-
20
8
5
-
16
8
15
20
15
14
19
+
=
140
1+4+0
=
5
=
5
=
5
-
-
2
8
5
-
7
8
6
2
6
5
1
+
=
50
5+0
=
5
=
5
=
5
-
11
T
H
E
-
P
H
O
T
O
N
S
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
1
occurs
x
1
=
1
=
1
-
-
2
-
-
-
-
-
-
2
-
-
-
-
-
2
occurs
x
2
=
4
=
4
3
-
-
-
-
-
-
-
--
--
--
--
--
-
-
3
-
-
-
-
-
-
-
4
-
-
-
-
-
-
-
--
--
--
--
--
-
-
4
-
-
-
-
-
-
-
-
-
-
-
5
-
-
-
-
-
-
5
-
-
-
5
occurs
x
2
=
10
1+0
1
-
-
-
-
-
-
-
-
6
-
6
-
-
-
-
6
occurs
x
2
=
12
1+2
3
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
7
occurs
x
1
=
7
=
7
-
-
-
8
-
-
-
8
-
-
-
-
-
-
-
8
occurs
x
2
=
16
1+6
7
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
16
11
T
H
E
-
P
H
O
T
O
N
S
-
-
39
-
-
11
-
50
-
23
1+6
1+1
-
-
-
-
-
-
-
-
-
-
-
-
-
3+9
-
-
1+1
-
5+0
-
2+3
7
2
T
H
E
-
P
H
O
T
O
N
S
-
-
12
-
-
2
-
5
-
5
--
--
2
8
5
-
7
8
6
2
6
5
9
-
-
1+2
-
-
--
--
-
-
-
7
2
T
H
E
-
P
H
O
T
O
N
S
-
-
3
-
-
2
-
5
-
5

 

 

-
11
T
H
E
-
P
H
O
T
O
N
S
-
-
-
-
-
-
-
-
-
-
-
`-
-
8
-
-
-
8
6
-
6
5
1
+
=
34
3+4
=
7
=
7
=
7
-
-
-
8
-
-
-
8
15
-
15
14
19
+
=
79
7+9
=
16
1+6
7
=
7
-
11
T
H
E
-
P
H
O
T
O
N
S
-
-
-
-
-
-
-
-
-
-
-
-
2
-
5
-
7
-
-
2
-
-
-
+
=
16
1+6
=
7
=
7
=
7
-
`-
20
-
5
-
16
-
-
20
-
-
-
+
=
61
6+1
=
7
=
7
=
7
-
11
T
H
E
-
P
H
O
T
O
N
S
-
-
-
-
-
-
-
-
-
-
-
`-
20
8
5
-
16
8
15
20
15
14
19
+
=
140
1+4+0
=
5
=
5
=
5
-
-
2
8
5
-
7
8
6
2
6
5
1
+
=
50
5+0
=
5
=
5
=
5
-
11
T
H
E
-
P
H
O
T
O
N
S
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
1
occurs
x
1
=
1
=
1
-
-
2
-
-
-
-
-
-
2
-
-
-
-
-
2
occurs
x
2
=
4
=
4
3
-
-
-
-
-
-
-
--
--
--
--
--
-
-
3
-
-
-
-
-
-
-
4
-
-
-
-
-
-
-
--
--
--
--
--
-
-
4
-
-
-
-
-
-
-
-
-
-
-
5
-
-
-
-
-
-
5
-
-
-
5
occurs
x
2
=
10
1+0
1
-
-
-
-
-
-
-
-
6
-
6
-
-
-
-
6
occurs
x
2
=
12
1+2
3
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
7
occurs
x
1
=
7
=
7
-
-
-
8
-
-
-
8
-
-
-
-
-
-
-
8
occurs
x
2
=
16
1+6
7
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
16
11
T
H
E
-
P
H
O
T
O
N
S
-
-
39
-
-
11
-
50
-
23
1+6
1+1
-
-
-
-
-
-
-
-
-
-
-
-
-
3+9
-
-
1+1
-
5+0
-
2+3
7
2
T
H
E
-
P
H
O
T
O
N
S
-
-
12
-
-
2
-
5
-
5
--
--
2
8
5
-
7
8
6
2
6
5
9
-
-
1+2
-
-
--
--
-
-
-
7
2
T
H
E
-
P
H
O
T
O
N
S
-
-
3
-
-
2
-
5
-
5

 

 

UNDERSTAND THAT I AM DIVINE PRINCIPLE PRINCIPLE DIVINE AM I THAT UNDERSTAND

IDEAS PLEASE I ME I ME I PLEASE IDEAS

PLACET EXPERIRI EXPERIRI PLACET

 

1

are echoes here of Hans Castorp’s Mountain motto, ‘placet experiri’, which. states a positive commitment to experience and experiment. The same idea ... assets.cambridge.org/97805216/53107/sample/9780521653107ws

2

 

Placet experiri. Latin phrase meaning "It pleases to experiment", Ch. 4. “Beer, tobacco, and music,” he went on.. “Behold the Fatherland.” ... en.wikiquote.org/wiki/Thomas_Mann

3

Mann Quote: Placet experiri. ... Famous Quotes |Placet experiri. Printable Version · Cite this Page.Placet experiri. - Thomas Mann ... www.enotes.com/famous-quotes/placet-experiri

4

Diesen Ausgang verdankt Hans Castorp dem ,Placet experiri, der Erfahrung, ... Re:Placet experiri... dominikus franke schrieb am 24.07.2007 um 01:43 Uhr: ... www.albertmartin.de/latein/forum

5

Placet experiri. Wie schön, daß damals, auf dem Höhepunkt der Thomas-Mann-Begeisterung, das Krankenhaus, in dem ich lag, sich so leicht zum „Berghof“ (aus ... www.werner-radtke.de/1995/03/224-placet-experiri.html

 

 

PLACET EXPERIRI THAT I AM ME I ME AM I THAT EXPERIRI PLACET

 

-
PLACET EXPERIRI
-
-
-
2
P+L
28
10
1
3
A+C+E
9
9
9
1
T
20
2
2
4
E+X+P+E
50
23
5
1
R
18
9
9
1
I
9
9
9
1
R
18
9
9
1
I
9
9
9
14
PLACET EXPERIRI
161
80
53
1+4
-
1+6+1
9+0
5+3
5
-PLACET EXPERIRI
18
9
8
-
-
1+8
-
-
5
PLACET EXPERIRI
9
9
8

 

 

-
14
P
L
A
C
E
T
-
E
X
P
E
R
I
R
1
-
-
-
-
-
-
-
-
-
-
-
`-
-
-
--
-
-
-
-
-
--
-
-
18
9
18
9
+
=
54
5+4
=
9
-
9
-
9
-
-
-
-
--
-
-
-
-
-
--
-
-
9
9
9
9
+
=
36
3+6
=
9
-
9
-
9
-
`-
-
-
--
-
-
-
-
-
--
-
-
18
9
18
9
+
=
54
5+4
=
9
-
9
-
9
-
14
P
L
A
C
E
T
-
E
X
P
E
R
I
R
1
-
-
-
-
-
-
-
-
-
-
-
-
7
3
1
3
5
2
-
5
6
7
5
-
--
-
--
+
=
44
4+4
=
8
-
8
-
8
-
`-
16
12
1
3
5
20
-
5
24
16
5
-
--
-
--
+
=
107
1+0+7
=
8
-
8
-
8
-
14
P
L
A
C
E
T
-
E
X
P
E
R
I
R
1
-
-
-
-
-
-
-
-
-
-
-
`-
16
12
1
3
5
20
-
5
24
16
5
18
9
18
9
+
=
161
1+6+1
=
8
-
8
-
8
-
-
7
3
1
3
5
2
-
5
6
7
5
9
9
9
9
+
=
80
8+0
=
8
-
8
-
8
-
14
P
L
A
C
E
T
-
E
X
P
E
R
I
R
I
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
occurs
x
1
=
1
=
1
-
-
-
-
-
-
-
2
-
-
-
-
-
-
-
-
-
-
-
2
occurs
x
1
=
2
=
2
-
-
-
3
-
3
-
-
-
-
-
-
-
-
-
-
-
-
-
3
occurs
x
1
=
3
=
3
4
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
4
-
-
-
-
-
-
-
-
-
-
-
-
-
5
-
-
5
-
-
5
-
-
-
-
-
-
5
occurs
x
3
=
15
1+5
6
-
-
-
-
-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
6
occurs
x
1
=
6
=
6
-
-
7
-
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
7
occurs
x
2
=
14
1+4
5
8
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
9
9
9
9
-
-
9
occurs
x
4
=
36
3+6
9
12
14
P
L
A
C
E
T
-
E
X
P
E
R
I
R
I
-
-
33
-
-
14
-
80
-
35
1+2
1+4
-
-
-
-
-
-
-
-
-
-
-
9
9
9
9
-
-
3+3
-
-
1+4
-
8+0
-
3+5
3
5
P
L
A
C
E
T
-
E
X
P
E
R
I
R
I
-
-
6
-
-
5
-
8
-
8
--
--
7
3
1
3
5
2
-
5
6
7
5
9
9
9
9
-
-
-
-
-
--
--
-
-
-
3
5
P
L
A
C
E
T
-
E
X
P
E
R
I
R
I
-
-
6
-
-
5
-
8
-
8

 

 
P
L
A
C
E
T
-
E
X
P
E
R
I
R
1
-
-
-
-
-
-
-
-
-
-
`-
-
-
--
-
-
-
-
-
--
-
-
18
9
18
9
+
=
54
5+4
=
9
-
9
-
9
-
-
-
--
-
-
-
-
-
--
-
-
9
9
9
9
+
=
36
3+6
=
9
-
9
-
9
`-
-
-
--
-
-
-
-
-
--
-
-
18
9
18
9
+
=
54
5+4
=
9
-
9
-
9
14
P
L
A
C
E
T
-
E
X
P
E
R
I
R
1
-
-
-
-
-
-
-
-
-
-
-
7
3
1
3
5
2
-
5
6
7
5
-
--
-
--
+
=
44
4+4
=
8
-
8
-
8
`-
16
12
1
3
5
20
-
5
24
16
5
-
--
-
--
+
=
107
1+0+7
=
8
-
8
-
8
14
P
L
A
C
E
T
-
E
X
P
E
R
I
R
1
-
-
-
-
-
-
-
-
-
-
`-
16
12
1
3
5
20
-
5
24
16
5
18
9
18
9
+
=
161
1+6+1
=
8
-
8
-
8
-
7
3
1
3
5
2
-
5
6
7
5
9
9
9
9
+
=
80
8+0
=
8
-
8
-
8
14
P
L
A
C
E
T
-
E
X
P
E
R
I
R
I
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
occurs
x
1
=
1
=
1
-
-
-
-
-
-
2
-
-
-
-
-
-
-
-
-
-
-
2
occurs
x
1
=
2
=
2
-
-
3
-
3
-
-
-
-
-
-
-
-
-
-
-
-
-
3
occurs
x
1
=
3
=
3
-
-
-
-
-
5
-
-
5
-
-
5
-
-
-
-
-
-
5
occurs
x
3
=
15
1+5
6
-
-
-
-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
6
occurs
x
1
=
6
=
6
-
7
-
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
7
occurs
x
2
=
14
1+4
5
-
-
-
-
-
-
-
-
-
-
-
-
9
9
9
9
-
-
9
occurs
x
4
=
36
3+6
9
14
P
L
A
C
E
T
-
E
X
P
E
R
I
R
I
-
-
33
-
-
14
-
80
-
35
1+4
-
-
-
-
-
-
-
-
-
-
-
9
9
9
9
-
-
3+3
-
-
1+4
-
8+0
-
3+5
5
P
L
A
C
E
T
-
E
X
P
E
R
I
R
I
-
-
6
-
-
5
-
8
-
8
--
7
3
1
3
5
2
-
5
6
7
5
9
9
9
9
-
-
-
-
-
--
--
-
-
-
5
P
L
A
C
E
T
-
E
X
P
E
R
I
R
I
-
-
6
-
-
5
-
8
-
8

 

 

7
IT
29
11
2
4
PLEASES
77
23
5
6
TO
35
8
8
4
EXPERIMENT
129
57
3
17
First Total
270
99
18
1+7
Add to Reduce
2+7+0
9+9
1+8
8
Second Total
9
18
9
-
Reduce to Deduce
-
1+8
-
8
Essence of Number
9
9
9

 

 

Placet experiri. Latin phrase meaning "It pleases to experimnent", Ch. 4. “Beer, tobacco, and music,” he went on. “Behold the Fatherland.” ... en.wikiquote.org/wiki/Thomas_Mann

Paul Thomas Mann (6 June 1875 – 12 August 1955) was a German novelist, short story writer, social critic, philanthropist, essayist, and 1929 Nobel Prize laureate, known for his series of highly symbolic and ironic epic novels and mid-length stories, noted for their insight into the psychology of the artist and the intellectual.

Contents [hide]
1 Sourced
1.1 Tristan (1902)
1.2 Tonio Kröger (1903)
1.3 Death in Venice (1912)
1.4 The Magic Mountain (1924)
1.5 Suffering and Greatness of Richard Wagner (1933)
1.6 Freud and the Future (1937)
1.7 The Beloved Returns (1939)
1.8 Doctor Faustus (1947)
1.9 Confessions of Felix Krull, Confidence Man (1954)
2 Unsourced
3 External links

[edit] Sourced
I think of my suffering, of the problem of my suffering. What am I suffering from? From knowledge — is it going to destroy me? What am I 
suffering from? From sexuality — is it going to destroy me? How I hate it, this knowledge which forces even art to join it! How I hate it, this sensuality, which claims everything fine and good is its consequence and effect. Alas, it is the poison that lurks in everything fine and good! — How am I to free myself of knowledge? By religion? How am I to free myself of sexuality? By eating rice?
Letter from Naples, Italy to Otto Grautoff (1896); as quoted in A Gorgon's Mask: The Mother in Thomas Mann's Fiction (2005) by Lewis A. Lawson, p. 34
Here and there, among a thousand other peddlers, are slyly hissing dealers who urge you to come along with them to allegedly "very beautiful" girls, and not only to girls. They keep at it, walk alongside, praising there wares until you answer roughly. They don't know that you have resolved to eat nothing but rice just to escape from sexuality!
Letter from Naples, Italy to Otto Grautoff (1896); as quoted in A Gorgon's Mask: The Mother in Thomas Mann's Fiction (2005) by Lewis A. Lawson, p. 35
We are most likely to get angry and excited in our opposition to some idea when we ourselves are not quite certain of our own position, and are inwardly tempted to take the other side.
Buddenbrooks [Buddenbrooks: Verfall einer Familie, Roman] (1901). Pt 8, Ch. 2
Beauty can pierce one like pain.
Buddenbrooks [Buddenbrooks: Verfall einer Familie, Roman], Pt 11, Ch. 2
That daily the night falls; that over stresses and torments, cares and sorrows the blessing of sleep unfolds, stilling and quenching them; that every anew this draught of refreshment and lethe is offered to our parching lips, ever after the battle this mildness laves our shaking limbs, that from it, purified from sweat and dust and blood, strengthened, renewed, rejuvenated, almost innocent once more, almost with pristine courage and zeal we may go forth again — these I hold to be the benignest, the most moving of all the great facts of life.
"Sleep, Sweet Sleep" ["Süßer Schlaf] first published in Neue Freie Presse [Vienna] (30 May 1909), as translated by Helen T. Knopf in Past Masters and Other Papers (1933), p. 269
The important thing for me, then, is not the "work," but my life. Life is not the means for the achievement of an esthetic ideal of perfection; on the contrary, the work is an ethical symbol of life.
Reflections of a Non-Political Man [Betrachtungen eines Unpolitischen (1918)]
Extraordinary creature! So close a friend, and yet so remote.
Herr und Hund (A Man and his Dog) (1918)
The meeting in the open of two dogs, strangers to each other, is one of the most painful, thrilling, and pregnant of all conceivable encounters; it is surrounded by an atmosphere of the last canniness, presided over by a constraint for which I have no preciser name; they simply cannot pass each other, their mutual embarrassment is frightful to behold.
Herr und Hund (A Man and his Dog)
I have an epic, not a dramatic nature. My disposition and my desires call for peace to spin my thread, for a steady rhythm in life and art.
Nobel Banquet Speech (10 December 1929)
This fantastic state of mind, of a humanity that has outrun its ideas, is matched by a political scene in the grotesque style, with Salvation Army methods, hallelujahs and bell-ringing and dervishlike repetition of monotonous catchwords, until everybody foams at the mouth. Fanaticism turns into a means of salvation, enthusiasm into epileptic ecstasy, politics becomes an opiate for the masses, a proletarian eschatology; and reason veils her face.
On German fascism, in "An Appeal to Reason" ["Deutsche Ansprache. Ein Appell an die Vernunft"] in Berliner Tageblatt (18 October 1930); as translated by Helen T. Lowe-Porter in Order of the Day, Political Essays and Speeches of Two Decades (1942), p. 57
In the Word is involved the unity of humanity, the wholeness of the human problem, which permits nobody to separate the intellectual and artistic from the political and social, and to isolate himself within the ivory tower of the "cultural" proper.
Letter to the dean of the Philosophical Faculty, Bonn University (January 1937)
Democracy is timelessly human, and timelessness always implies a certain amount of potential youthfulness.
The Coming Victory of Democracy (1938), p. 14, translated by Agnes E. Meyer, Knopf (1938)
In certain respects, particularly economically, National-Socialism is nothing but bolshevism. These two are hostile brothers of whom the younger has learned everything from the older, the Russian excepting only morality.
The Coming Victory of Democracy (1938), p. 14, translated by Agnes E. Meyer, Knopf (1938)
This was love at first sight, love everlasting: a feeling unknown, unhoped for, unexpected — in so far as it could be a matter of conscious awareness; it took entire possession of him, and he understood, with joyous amazement, that this was for life.
"Early Sorrow in Tellers of Tales: 100 Short Stories from the United States, England, France, Russia and Germany edited by William Somerset Maugham (1939), p. 884
The Freudian theory is one of the most important foundation stones for an edifice to be built by future generations, the dwelling of a freer and wiser humanity.
As quoted in The New York Times (21 June 1939)
Unhappy German nation, how do you like the Messianic rôle allotted to you, not by God, nor by destiny, but by a handful of perverted and bloody-minded men.
"This War" (1939); also in Order of the Day (1942)
It is a strange fact that freedom and equality, the two basic ideas of democracy, are to some extent contradictory. Logically considered, freedom and equality are mutually exclusive, just as society and the individual are mutually exclusive.
Speech, "The War and the Future" (1940); published in Order of the Day (1942)
What we call National-Socialism is the poisonous perversion of ideas which have a long history in German intellectual life.
Speech, "The War and the Future" (1940); published in Order of the Day (1942)
An art whose medium is language will always show a high degree of critical creativeness, for speech is itself a critique of life: it names, it characterizes, it passes judgment, in that it creates.
Speech at the Prussian Academy of Art in Berlin (22 January 1929); also in Essays of Three Decades (1942)
A writer is somebody for whom writing is more difficult than it is for other people.
Essays of Three Decades (1942)
Politics has been called the “art of the possible,” and it actually is a realm akin to art insofar as, like art, it occupies a creatively mediating position between spirit and life, the idea and reality.
Speech at the US Library of Congress (29 May 1945); published as "Germany and the Germans" ["Deutschland und die Deutschen"] in Die Neue Rundschau [Stockholm] (October 1945), p. 58, as translated by Helen T. Lowe-Porter
Reduced to a miserable mass level, the level of a Hitler, German Romanticism broke out into hysterical barbarism.
Speech at the US Library of Congress (29 May 1945); published as "Germany and the Germans" ["Deutschland und die Deutschen"] in Die Neue Rundschau [Stockholm] (October 1945), p. 58, as translated by Helen T. Lowe-Porter
Every reasonable human being should be a moderate Socialist.
As quoted in The New York Times (18 June 1950); also in Thomas Mann: A Critical Study (1971) by R. J. Hollingdale, Ch. 2
It is not good when people no longer believe in war. Pretty soon they no longer believe in many other things which they absolutely must believe in if they are to be decent men.
Quoted in Survey of Contemporary Literature (1977) by Frank Northen Magill, p. 4263

[edit] Tristan (1902)
It often happens that an old family, with traditions that are entirely practical, sober and bourgeois, undergoes in its declining days a kind of artistic transfiguration.
Ch. 7
They sang their mysterious duo, sang of their nameless hope, their death-in-love, their union unending, lost forever in the embrace of night’s magic kingdom. O sweet night, everlasting night of love! Land of blessedness whose frontiers are infinite!
Ch. 8
It had been a moving, tranquil apotheosis, immersed in the transfiguring sunset glow of decline and decay and extinction. An old family, already grown too weary and too noble for life and action, had reached the end of its history, and its last utterances were sounds of music: a few violin notes, full of the sad insight which is ripeness for death.
Ch. 10

[edit] Tonio Kröger (1903)
If you are possessed by an idea, you find it expressed everywhere, you even smell it.
Variant translation: It is strange. If an idea gains control of you, you will find it expressed everywhere, you will actually smell it in the wind.
As translated by Bayard Quincy Morgan
What they, in their innocence, cannot comprehend is that a properly constituted, healthy, decent man never writes, acts, or composes.
"Tonio Kröger" on general opinions about artists.
This longing for the bliss of the commonplace.
Ch. 4, and also in Ch. 9, as translated by David Luke
He remembered the dissolute adventures in which his senses, his nervous system and his mind had indulged; he saw himself corroded by irony and intellect, laid waste and paralyzed by insight, almost exhausted by the fevers and chills of creation, helplessly and contritely tossed to and fro between gross extremes, between saintly austerity and lust — oversophisticated and impoverished, worn out by cold, rare artificial ecstasies, lost, ravaged, racked and sick — and he sobbed with remorse and nostalgia.
Ch. 8, as translated by David Luke
I stand between two worlds, am at home in neither, and in consequence have rather a hard time of it. You artists call me a commoner, and commoners feel tempted to arrest me ... I do not know which wounds me more bitterly. Commoners are stupid; but you worshippers of beauty who call me phlegmatic and without yearning, ought to reflect that there is an artistry so deep, so primordial and elemental, that no yearning seems to it sweeter and more worthy of tasting than that for the raptures of common-placeness.
Ch. 9, as translated by Bayard Quincy Morgan
I admire the proud and cold who go adventuring on the paths of great and demoniac beauty, and scorn "man" — but I do not envy them. For if anything is capable of making a poet out of a man of letters, it is this plebeian love of mine for the human, living, and commonplace. All warmth, all goodness, all humor is born of it, and it almost seems to me as if it were that love itself, of which it is written that a man might speak with the tongues of men and of angels, and yet without it be no more than sounding brass or a tinkling cymbal.
Ch. 9, as translated by Bayard Quincy Morgan
What I have done is nothing, not much — as good as nothing. I shall do better things, Lisaveta — this is a promise. While I am writing, the sea's roar is coming up to me, and I close my eyes. I am looking into an unborn and shapeless world that longs to be called to life and order, I am looking into a throng of phantoms of human forms which beckon me to conjure them and set them free: some of them tragic, some of them ridiculous, and some that are both at once — and to these I am very devoted. But my deepest and most secret love belongs to the blond and blue-eyed, the bright-spirited living ones, the happy, amiable, and commonplace.
Do not speak lightly of this love, Lisaveta; it is good and fruitful. There is longing in it and melancholy envy, and a tiny bit of contempt, and an unalloyed chaste blissfulness.
Ch. 9, as translated by Bayard Quincy Morgan
Variant translation: But my deepest and most secret love belongs to the fair-haired and the blue-eyed, the bright children of life, the happy, the charming and the ordinary.
Ch. 9, as translated by David Luke

[edit] Death in Venice (1912)
Der Tod in Venedig, originally published in Die Neue Rundschau 23 (Oct-Nov 1912)

The figure of Saint Sebastian is the most perfect symbol if not of art in general, then certainly of the kind of art in question.But he would “stay the course” — it was his favorite motto.
The disposition of the main character "Gustav Aschenbach", Ch. 2, as translated by David Luke
Hidden away amongst Aschenbach’s writing was a passage directly asserting that nearly all the great things that exist owe their existence to a defiant despite: it is despite grief and anguish, despite poverty, loneliness, bodily weakness, vice and passion and a thousand inhibitions, that they have come into being at all. But this was more than an observation, it was an experience, it was positively the formula of his life and his fame, the key to his work.
Ch. 2, as translated by David Luke
The new hero-type favored by Aschenbach, and recurring in his books in a multiplicity of individual variants, had already been remarked upon at an early stage by a shrewd commentator, who had described his conception as that of “an intellectual and boyish manly virtue, that of a youth who clenches his teeth in proud shame and stands calmly on as the swords and spears pass through his body ... the figure of Saint Sebastian is the most perfect symbol if not of art in general, then certainly of the kind of art in question.
Ch. 2, as translated by David Luke
Gustav Aschenbach was the writer who spoke for all those who work on the brink of exhaustion, who labor and are heavy-laden, who are worn out already but still stand upright, all those moralists of achievement who are slight of stature and scanty of resources, but who yet, by some ecstasy of the will and by wise husbandry, manage at least for a time to force their work into a semblance of greatness.
Ch. 2, as translated by David Luke
Was it an intellectual consequence of this ‘rebirth,’ of this new dignity and rigor, that, at about the same time, his sense of beauty was observed to undergo an almost excessive resurgence, that his style took on the noble purity, simplicity and symmetry that were to set upon all his subsequent works that so evident and evidently intentional stamp of the classical master.
Ch. 2, as translated by David Luke
How else is the famous short story ‘A study in Abjection’ to be understood but as an outbreak of disgust against an age indecently undermined by psychology.
On a short story of the character, "Gustav Aschenbach". Ch. 2, as translated by David Luke
How strange a vehicle it is, coming down unchanged from times of old romance, and so characteristically black, the way no other thing is black except a coffin — a vehicle evoking lawless adventures in the plashing stillness of night, and still more strongly evoking death itself, the bier, the dark obsequies, the last silent journey!
Ch. 3, as translated by David Luke
With astonishment Aschenbach noticed that the boy was entirely beautiful. His countenance, pale and gracefully reserved, was surrounded by ringlets of honey-colored hair, and with its straight nose, its enchanting mouth, its expression of sweet and divine gravity, it recalled Greek sculpture of the noblest period.
Ch. 3, as translated by David Luke

I must tell you that we artists cannot tread the path of Beauty without Eros keeping company with us and appointing himself as our guide.There were profound reasons for his attachment to the sea: he loved it because as a hard-working artist he needed rest, needed to escape from the demanding complexity of phenomena and lie hidden on the bosom of the simple and tremendous; because of a forbidden longing deep within him that ran quite contrary to his life’s task and was for that very reason seductive, a longing for the unarticulated and immeasurable, for eternity, for nothingness. To rest in the arms of perfection is the desire of any man intent upon creating excellence; and is not nothingness a form of perfection?
Ch. 3, as translated by David Luke
The writer’s joy is the thought that can become emotion, the emotion that can wholly become a thought.
Ch. 4, as translated by David Luke
Never had he felt the joy of the word more sweetly, never had he known so clearly that Eros dwells in language.
Ch. 4, as translated by David Luke
This was Venice, the flattering and suspect beauty — this city, half fairy tale and half tourist trap, in whose insalubrious air the arts once rankly and voluptuously blossomed, where composers have been inspired to lulling tones of somniferous eroticism.
Ch. 5, as translated by David Luke
I must tell you that we artists cannot tread the path of Beauty without Eros keeping company with us and appointing himself as our guide.
Ch. 5, as translated by David Luke

[edit] The Magic Mountain (1924)
Der Zauberberg (1929), using quotes primarily from the translation of Helen T. Lowe-Porter (1955)

Time, we say, is Lethe; but change of air is a similar draught, and, if it works less thoroughly, does so more quickly.Space, like time, engenders forgetfulness; but it does so by setting us bodily free from our surroundings and giving us back our primitive, unattached state. Yes, it can even, in the twinkling of an eye, make something like a vagabond of the pedant and Philistine. Time, we say, is Lethe; but change of air is a similar draught, and, if it works less thoroughly, does so more quickly.
Ch. 1
Psycho-analyses — how disgusting.
"Hans Castorp" in Ch. 1
I, for one, have never in my life come across a perfectly healthy human being.
The psychoanalyst "Dr. Krokowski" in Ch. 1
A man lives not only his personal life, as an individual, but also, consciously or unconsciously, the life of his epoch and his contemporaries.
Ch. 2, “At Tienappels’,” (1924), trans. by H.T. Lowe-Porter (1928).
Hans Castorp loved music from his heart; it worked upon him much the same way as did his breakfast porter, with deeply soothing, narcotic effect, tempting him to doze.
Ch. 3
I never can understand how anyone can not smoke — it deprives a man of the best part of life ... with a good cigar in his mouth a man is perfectly safe, nothing can touch him — literally.
Ch. 3
In effect it seemed to him that, though honor might possess certain advantages, yet shame had others, and not inferior: advantages, even, that were well-nigh boundless in their scope.
Ch. 3
One always has the idea of a stupid man as perfectly healthy and ordinary, and of illness as making one refined and clever and unusual.
Ch. 4
Placet experiri
Latin phrase meaning "It pleases to experiment", Ch. 4
“Beer, tobacco, and music,” he went on. “Behold the Fatherland.”
"Herr Settembrini" commenting on Germany, in Ch. 4
There is something suspicious about music, gentlemen. I insist that she is, by her nature, equivocal. I shall not be going too far in saying at once that she is politically suspect.
Ch. 4
My aversion from music rests on political grounds.
Ch. 4
I love and reverence the Word, the bearer of the spirit, the tool and gleaming ploughshare of progress.
Settembrini's view of literature, Ch. 4

This triumph of chastity was only an apparent, a pyrrhic victory. It would break through the ban of chastity, it would emerge — if in a form so altered as to be unrecognizable."Love as a force contributory to disease."
The title of "Dr. Krokowski" lectures. Ch. 4
This conflict between the powers of love and chastity ... it ended apparently in the triumph of chastity. Love was suppressed, held in darkness and chains, by fear, conventionality, aversion, or a tremulous yearning to be pure.... But this triumph of chastity was only an apparent, a pyrrhic victory. It would break through the ban of chastity, it would emerge — if in a form so altered as to be unrecognizable.
Ch. 4
It seemed that at the end of the lecture Dr. Krokowski was making propaganda for psycho-analysis; with open arms he summoned all and sundry to come unto him. "Come unto me," he was saying, though not in those words, " come unto me, all ye who are weary and heavy-laden." And he left no doubt of his conviction that all those present were weary and heavy-laden. He spoke of secret suffering, of shame and sorrow, of the redeeming power of the analytic. He advocated the bringing of light into the unconscious mind and explained how the abnormality was metamorphosed into the conscious emotion; he urged them to have confidence; he promised relief.
Ch. 4

All moral discipline, all moral perfection derived from the soul of literature, from the soul of human dignity, which was the moving spirit of both humanity and politics...Two principles, according to the Settembrinian cosmogony, were in perpetual conflict for possession of the world: force and justice, tyranny and freedom, superstition and knowledge; the law of permanence and the law of change, of ceaseless fermentation issuing in progress.
Ch. 4
The beautiful word begets the beautiful deed.
Ch. 4
Writing well was almost the same as thinking well, and thinking well was the next thing to acting well. All moral discipline, all moral perfection derived from the soul of literature, from the soul of human dignity, which was the moving spirit of both humanity and politics. Yes, they were all one, one and the same force, one and the same idea, and all of them could be comprehended in one single word... The word was — civilization!
Ch. 4
Frau Stöhr ... began to talk about how fascinating it was to cough.... Sneezing was much the same thing. You kept on wanting to sneeze until you simply couldn’t stand it any longer; you looked as if you were tipsy; you drew a couple of breaths, then out it came, and you forgot everything else in the bliss of the sensation. Sometimes the explosion repeated itself two or three times. That was the sort of pleasure life gave you free of charge.
Ch. 4
Disease makes men more physical, it leaves them nothing but body.
Ch. 4
Our air up here is good for the disease — I mean good against the disease,... but it is also good for the disease.
Ch. 4
A black pall, you know, with a silver cross on it, or R.I.P. — requiescat in pace — you know. That seems to me the most beautiful expression — I like it much better than ‘He is a jolly good fellow,’ which is simply rowdy.
Ch. 5
Six months at most after they get here, these young people — and they are mostly young who come — have lost every idea they had, except flirtation and temperature.
Settembrini on the Magic Mountain Society, in Ch. 5
It is a cruel atmosphere down there, cruel and ruthless.
Hans Castorp on the world outside the sanatorium, in Ch. 5

The ancients adorned their sarcophagi with the emblems of life and procreation...The only religious way to think of death is as part and parcel of life; to regard it, with the understanding and the emotions, as the the inviolable condition of life.
Ch. 5
The ancients adorned their sarcophagi with the emblems of life and procreation, and even with obscene symbols; in the religions of antiquity the sacred and the obscene often lay very close together. These men knew how to pay homage to death. For death is worthy of homage as the cradle of life, as the womb of palingenesis.
Ch. 5

Analysis can be a very unappetizing affair, as much so as death...Irony, forsooth! Guard yourself, Engineer, from the sort of irony that thrives up here; guard yourself altogether from taking on their mental attitude! Where irony is not a direct and classic device of oratory, not for a moment equivocal to a healthy mind, it makes for depravity, it becomes a drawback to civilization, an unclean traffic with the forces of reaction, vice and materialism.
Ch. 5
Paradox is the poisonous flower of quietism, the iridescent surface of the rotting mind, the greatest depravity of all.
Ch. 5
Analysis as an instrument of enlightenment and civilization is good, in so far as it shatters absurd convictions, acts as a solvent upon natural prejudices, and undermines authority; good, in other words, in that it sets free, refines, humanizes, makes slaves ripe for freedom. But it is bad, very bad, in so far as it stands in the way of action, cannot shape the vital forces, maims life at its roots. Analysis can be a very unappetizing affair, as much so as death.
Ch. 5
Time has no divisions to mark its passage, there is never a thunderstorm or blare of trumpets to announce the beginning of a new month or year. Even when a new century begins it is only we mortals who ring bells and fire off pistols.
Ch. 5
Order and simplification are the first steps toward the mastery of a subject — the actual enemy is the unknown.
Ch. 5
Asien verschlingt uns. Wohin man blickt: tatarische Gesichter.
Asia surrounds us — wherever one’s glance rests, a Tartar physiognomy.
Variant translation: Asia devours us. Wherever one looks: Tartar faces.
Settembrini in Ch. 5

What was life?'What was life? It was warmth, the warmth generated by a form-preserving instability, a fever of matter, which accompanied the process of ceaseless decay and repair of protein molecules that were too impossibly ingenious in structure.
Ch. 5
Disease was a perverse, a dissolute form of life.
Ch. 5
Le corps, l'amour, la mort, ces trois ne font qu'un. Car le corps, c'est la maladie et la volupté, et c'est lui qui fait la mort, oui, ils sont charnels tous deux, l'amour et la mort, et voilà leur terreur et leur grande magie!
Rough translation of this passage written in French: The body, love, death, these three only. For the body, this is the disease and exquisite delight, and this that does die, yes, they are carnal both of them, love and death, and thus their terror and their great magic!
Hans Castorp to Chauchat, in French, Ch. 5
L’amour pour lui, pour le corps humain, c’est de même un intérêt extrêmement humanitaire et une puissance plus éducative que toute la pédagogie du monde!
Love for him, for the human body, was extremely humanitarian an interest and had more educational power than the whole teaching skills of the world!
Ch. 5
Human reason needs only to will more strongly than fate, and she is fate.
Ch. 6
Opinions cannot survive if one has no chance to fight for them.
Ch. 6
All interest in disease and death is only another expression of interest in life.
Ch. 6
The invention of printing and the Reformation are and remain the two outstanding services of central Europe to the cause of humanity.
Ch. 6
There is both rhyme and reason in what I say, I have made a dream poem of humanity. I will cling to it. I will be good. I will let death have no mastery over my thoughts. For therein lies goodness and love of humankind, and in nothing else.
Ch. 6; variant translation: I will let death have no mastery over my thoughts! For therein, and in nothing else, lies goodness and love of humankind.
Love stands opposed to death. It is love, not reason, that is stronger than death. Only love, not reason, gives kind thoughts.
Ch. 6; variant translation: It is love, not reason, that is stronger than death. Only love, not reason, gives 
sweet thoughts. And from love and sweetness alone can form come: form and civilization.
For the sake of goodness and love, man shall let death have no sovereignty over his thoughts. And with that, I wake up.
Ch. 6
Everything is politics.
Ch. 6
Speech is civilization itself. The word, even the most contradictory word, preserves contact — it is silence which isolates.

Ch. 6
A man’s dying is more the survivors’ affair than his own.
Ch. 6
What we call mourning for our dead is perhaps not so much grief at not being able to call them back as it is grief at not being able to want to do so.
Ch. 7
Time cools, time clarifies, no mood can be maintained quite unaltered through the course of hours.
Ch. 7
The purifying, healing influence of literature, the dissipating of passions by knowledge and the written word, literature as the path to understanding, forgiveness and love, the redeeming might of the word, the literary spirit as the noblest manifestation of the spirit of man, the writer as perfected type, as saint.
Ch. 7
Absolutely everything beloved and cherished of the bourgeoisie, the conservative, the cowardly, and the impotent — the State, family life, secular art and science — was consciously or unconsciously hostile to the religious idea, to the Church, whose innate tendency and permanent aim was the dissolution of all existing worldly orders, and the reconstitution of society after the model of the ideal, the communistic City of God.
Naphta in Ch. 7
We, when we sow the seeds of doubt deeper than the most up-to-date and modish free-thought has ever dreamed of doing, we well know what we are about. Only out of radical skepsis, out of moral chaos, can the Absolute spring, the anointed Terror of which the time has need.
Ch. 7
Passionate — that means to live for the sake of living. But one knows that you all live for the sake of experience. Passion, that is self-forgetfulness. But what you all want is self-enrichment. C'est ça. You don't realize what revolting egoism it is, and that one day it will make you the enemies of the human race.


[edit] Suffering and Greatness of Richard Wagner (1933)
"Leiden und Größe Richard Wagners" in Die Neue Rundschau, Jahrgang 44, Heft 4 (April 1933), as translated by Helen T. Lowe-Porter in Essays by Thomas Mann (1957), p. 199
He was all for catharsis and purification, he dreamed of an aesthetic consecration that should cleanse society of luxury, the greed of gold and all unloveliness.
It is a pregnant complex, gleaming up from the unconscious, of mother-fixation, sexual desire, and fear.
What was it that drove these thousands into the arms of his art — what but the blissfully sensuous, searing, sense-consuming, intoxicating, hypnotically caressing, heavily upholstered — in a word, the luxurious quality of his music?
Wagner’s art is the most sensational self-portrayal and self- critique of German nature that it is possible to conceive.

[edit] Freud and the Future (1937)
"Freud und die Zukunft" in Imago, vol. 22 (1936); as translate by Helen T. Lowe-Porter in Essays by Thomas Mann (1957) p. 307

While in the life of the human race the mythical is an early and primitive stage, in the life of the individual it is a late and mature one.When it had long since outgrown his purely medical implications and become a world movement which penetrated into every field of science and every domain of the intellect: literature, the history of art, religion and prehistory; mythology, folklore, pedagogy, and what not.
Has the world ever been changed by anything save the thought and its magic vehicle the Word?
The myth is the foundation of life; it is the timeless schema, the pious formula into which life flows when it reproduces its traits out of the unconscious. Certainly when a writer has acquired the habit of regarding life as mythical and typical there comes a curious heightening of his artistic temper, a new refreshment to his perceiving and shaping powers, which otherwise occurs much later in life; for while in the life of the human race the mythical is an early and primitive stage, in the life of the individual it is a late and mature one.
I hold that we shall one day recognize in Freud’s life-work the cornerstone for the building of a new anthropology and therewith of a new structure, to which many stones are being brought up today, which shall be the future dwelling of a wiser and freer humanity.
As a science of the unconscious it is a therapeutic method, in the grand style, a method overarching the individual case. Call this, if you choose, a poet’s utopia.

[edit] The Beloved Returns (1939)
Lotte in Weimar as translated by Helen T. Lowe-Porter, Knopf (1940); also titled as 'Lotte in Weimar: The Beloved Returns
Hold fast the time! Guard it, watch over it, every hour, every minute! Unregarded it slips away, like a lizard, smooth, slippery, faithless, a pixy wife. Hold every moment sacred. Give each clarity and meaning, each the weight of thine awareness, each its true and due fulfillment.
Ch. 7
Cruelty is one of the chief ingredients of love, and divided about equally between the sexes: cruelty of lust, ingratitude, callousness, maltreatment, domination. The same is true of the passive qualities, patience under suffering, even pleasure in ill usage.
Ch. 7
Profundity must smile.
Ch. 7

[edit] Doctor Faustus (1947)
This music of yours. A manifestation of the highest energy — not at all abstract, but without an object, energy in a void, in pure ether — where else in the universe does such a thing appear? We Germans have taken over from philosophy the expression ‘in itself,’ we use it every day without much idea of the metaphysical. But here you have it, such music is energy itself, yet not as idea, rather in its actuality. I call your attention to the fact that is almost the definition of God. Imitatio Dei — I am surprised it is not forbidden.
Ch. 9
Why does almost everything seem to me like its own parody? Why must I think that almost all, no, all the methods and conventions of art today are good for parody only?
Ch. 15

[edit] Confessions of Felix Krull, Confidence Man (1954)
Bekenntnisse des Hochstaplers Felix Krull (1954), as translated by Denver Lindley
What a glorious gift is imagination, and what satisfaction it affords!
Bk. 1, Ch. 1
Only he who desires is amiable and not he who is satiated.
Bk. 1, Ch. 8
The intellect longs for the delights of the non-intellect, that which is alive and beautiful dans sa stupidité.
Madame Houpflé, Bk. 2, Ch. 9
What a wonderful phenomenon it is, carefully considered, when the human eye, that jewel of organic structures, concentrates its moist brilliance on another human creature!
Bk. 2, Ch. 4
O scenes of the beautiful world! Never have you presented yourself to more appreciative eyes.
Bk. 2, Ch. 4

[edit] Unsourced
I have always been an admirer. I regard the gift of admiration as indispensable if one is to amount to something; I don’t know where I would be without it.
Letter, (1950); as quoted in Thomas Mann — The Birth of Criticism (1987) by Marcel Reich-Ranicki
The positive thing about the sceptic is that he considers everything possible!
Tolerance becomes a crime when applied to evil.
War is only a cowardly escape from the problems of peace.

[edit] External links
Wikipedia has an article about:
Thomas MannWikisource has original works written by or about:
Thomas MannThe Nobel Prize Bio on Mann
Brief biography
Works by Thomas Mann at Project Gutenberg
Bibliography
FBI File on Thomas Mann
Retrieved from "http://en.wikiquote.org/wiki/Thomas_Mann"

 

 

IN SEARCH OF EXTRA TERRESTRIALS

Unsolved UFO sightings... strange secrets of the moon... new evidence that alien astronauts are exploring the earth

Alan Landsburg 1976

Page 79

" The words of J. B. S. Haldane came back to haunt me. He once wrote, "Now my suspicion is that the universe is not only queerer than we suppose, but queerer than we can suppose. I suspect that there are more things in heaven and earth than are dreamed of in any philosophy. That is the reason why I have no philosophy myself, and must be my excuse for dreaming."

 

 

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-
-
-
-
--
-
-
-
-
-
-
-
-
6
-
5
9
6
+
=
34
3+4
=
7
=
7
-
7
-
-
-
-
15
-
14
9
24
+
=
70
7+0
=
7
=
7
-
7
-
7
P
H
O
E
N
I
X
-
-
-
-
-
--
-
-
-
-
-
-
-
-
-
-
-
-
-
+
=
12
1+2
=
3
1+0
3
-
3
-
-
-
-
-
-
-
-
-
+
=
21
2+1
=
3
=
3
-
3
-
7
P
H
O
E
N
I
X
-
-
-
-
-
--
-
-
-
-
-
-
16
8
15
5
14
9
24
+
=
91
9+1
=
10
1+0
1
-
1
-
-
7
8
6
5
5
9
6
+
=
46
4+6
=
10
1+0
1
-
1
8
7
P
H
O
E
N
I
X
-T
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
2
-
-
-
-
-
-
-
-
-
-
2
-
-
-
-
-
-
-
3
-
-
-
-
-
-
-
-
-
-
3
-
-
-
-
-
-
-
4
-
-
-
-
-
-
-
-
-
-
4
-
-
-
-
-
-
-
-
-
-
-
-
5
5
-
-
-
-
5
occurs
x
2
=
10
1+0
1
-
-
-
-
6
-
-
-
6
-
-
6
occurs
x
2
=
12
1+2
3
-
-
7
-
-
-
-
-
-
-
-
7
occurs
x
1
=
7
=
7
-
8
-
8
-
-
-
-
-
-
-
8
occurs
x
1
=
8
=
8
-
-
-
-
-
-
-
9
-
-
-
9
occurs
x
1
=
9
=
9
10
7
P
H
O
E
N
I
X
8
8
35
-
1
7
-
46
-
28
-
-
-
-
-
-
-
9
-
-
-
3+5
-
-
-
-
4+6
-
2+8
10
7
P
H
O
E
N
I
X
-
-
8
-
1
7
-
10
-
10
1+0
-
7
8
6
5
5
9
6
-
-
-
-
-
-
-
1+0
-
1+0
1
7
P
H
O
E
N
I
X
-
-
8
-
-
7
-
1
-
1

 

 

7
P
H
O
E
N
I
X
-
-
-
-
-
--
-
-
-
-
-
-
-
6
-
5
9
6
+
=
34
3+4
=
7
=
7
-
7
-
-
-
15
-
14
9
24
+
=
70
7+0
=
7
=
7
-
7
7
P
H
O
E
N
I
X
-
-
-
-
-
--
-
-
-
-
-
-
-
-
-
-
-
-
+
=
12
1+2
=
3
1+0
3
-
3
-
-
-
-
-
-
-
-
+
=
21
2+1
=
3
=
3
-
3
7
P
H
O
E
N
I
X
-
-
-
-
-
--
-
-
-
-
-
16
8
15
5
14
9
24
+
=
91
9+1
=
10
1+0
1
-
1
-
7
8
6
5
5
9
6
+
=
46
4+6
=
10
1+0
1
-
1
7
P
H
O
E
N
I
X
-T
-
-
-
-
-
-
-
-
-
-
-
-
-
5
5
-
-
-
-
5
occurs
x
2
=
10
1+0
1
-
-
-
6
-
-
-
6
-
-
6
occurs
x
2
=
12
1+2
3
-
7
-
-
-
-
-
-
-
-
7
occurs
x
1
=
7
=
7
-
-
8
-
-
-
-
-
-
-
8
occurs
x
1
=
8
=
8
-
-
-
-
-
-
9
-
-
-
9
occurs
x
1
=
9
=
9
7
P
H
O
E
N
I
X
8
8
35
-
1
7
-
46
-
28
-
-
-
-
-
-
9
-
-
-
3+5
-
-
-
-
4+6
-
2+8
7
P
H
O
E
N
I
X
-
-
8
-
1
7
-
10
-
10
-
7
8
6
5
5
9
6
-
-
-
-
-
-
-
1+0
-
1+0
7
P
H
O
E
N
I
X
-
-
8
-
-
7
-
1
-
1

 

 

-
7
P
R
O
T
O
N
S
-
-
-
-
-
--
-
-
-
-
-
-
-
-
6
-
6
5
1
+
=
18
1+8
=
9
-
9
-
9
-
-
-
-
15
-
15
14
19
+
=
63
6+3
=
9
-
9
-
9
-
7
P
R
O
T
O
N
S
-
-
-
-
-
--
-
-
-
-
-
-
7
9
-
2
-
-
-
+
=
18
1+8
=
9
-
9
-
9
-
-
16
18
-
20
-
-
-
+
=
54
5+4
=
9
-
9
-
9
-
7
P
R
O
T
O
N
S
-
-
-
-
-
--
-
-
-
-
-
-
16
18
15
20
15
14
19
+
=
117
1+1+7
=
9
-
9
-
9
-
-
7
9
6
2
6
5
1
+
=
36
3+6
=
9
-
9
-
9
-
7
P
R
O
T
O
N
S
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
1
occurs
x
1
=
1
-
1
-
-
-
-
-
2
-
-
-
-
-
2
occurs
x
1
=
2
-
2
3
-
-
--
--
--
--
--
--
-
-
3
-
-
-
-
-
-
-
4
-
-
--
--
--
--
--
--
-
-
4
-
-
-
-
-
-
-
-
-
-
-
-
-
-
5
-
-
-
5
occurs
x
1
=
5
-
5
-
-
-
-
6
-
6
-
-
-
-
6
occurs
x
2
=
12
1+2
3
-
-
7
-
-
-
-
-
-
-
-
7
occurs
x
1
=
7
-
7
8
-
-
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
9
occurs
x
1
=
9
-
9
15
7
P
R
O
T
O
N
S
-
-
30
-
-
7
-
36
-
27
1+5
-
-
9
-
-
-
-
-
-
-
3+0
-
-
-
-
3+6
-
2+7
6
7
P
R
O
T
O
N
S
-
-
3
-
-
7
-
9
-
9
-
-
7
9
6
2
6
5
9
-
-
-
-
-
-
-
-
-
-
6
7
P
R
O
T
O
N
S
-
-
3
-
-
7
-
9
-
9

 

 

-
I AM THAT I AM
-
-
--
1
I
9
9
9
2
AM
14
5
5
4
THAT
49
13
4
1
I
9
9
9
2
AM
14
5
5
10
I AM THAT I AM
95
41
32
1+0
-
9+5
4+1
3+2
1
I AM THAT I AM
14
5
5
-
-
1+4
-
-
1
I AM THAT I AM
5
5
5

 

 

O
=
6
2
OH
23
14
5
W
=
5
7
WHISTLE
96
33
6
A
=
1
3
AND
19
10
1
I
=
9
3
I'LL
33
15
6
C
=
3
4
COME
36
18
9
T
=
2
3
TAE
26
8
8
Y
=
7
3
YOU
61
16
7
M
=
4
2
MY
38
11
2
L
=
3
3
LAD
17
8
8
-
-
40
30
First Total
349
133
52
-
-
4+0
3+0
Add to Reduce
3+4+9
1+3+3
5+2
Q
-
4
3
Second Total
16
7
7
-
-
-
-
Reduce to Deduce
1+6
-
-
-
-
4
3
Essence of Number
7
7
7

 

THE TIME IS COMING AND NOW IS

 

5
ALPHA
38
20
2
3
AND
19
10
1
5
OMEGA
41
23
5
3
THE
33
15
6
9
BEGINNING
81
54
9
3
AND
19
10
1
3
THE
33
15
6
3
END
33
15
6
34
First Total
287
161
35
3+4
Add to Reduce
2+8+7
1+6+1
3+5
7
Second Total
17
8
8
-
Reduce to Deduce
1+7
-
-
7
Essence of Number
8
8
8

 

 

I

ME

LIVING

MAGNETISM

POSITIVE + NEGATIVE

ISISIS MAAT IS IS MAAT ISISIS

I AM THAT EYE THAT EYE THAT AM I

I AM DROWNING ALWAYS DROWNING AM I

HAIL THE JEWEL AT THE CENTRE OF THE LOTUS

1818 ZAZAZAZAZAZAZAZAZAAZAZAZAZAZAZAZAZAZ 8181

ONE EIGHT THREE SIX 1836 ISISIS 6381 SIX THREE EIGHT ONE

X X X 1 + 2 + 3 + 4 + 5 + 6 + 7 + 8 + 9 X X X 9 + 8 + 7 + 6 + 5 + 4 + 3 + 2 + 1 X X X

ABCDEFGHIJKLMNOPQRSTUVWXYZ 9 9 9 ZYXWVUTSRQPONMLKJIHGFEDCBA

ISISIS LOVE LOVE ISISIS ISISIS LIGHT 999 LOVE 999 LIGHT SISISI SISISI LOVE LOVE ISISIS

 
 
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